Archive for January, 2007

Book Review: The Unreleased Beatles by Richie Unterberger

Monday, January 22nd, 2007

Unreleased_1 Their must be more books that have been written about the Beatles then about any other pop band in the history of rock and roll. There are books detailing their tours, their recording techniques, their lyrics, their musical equipment, their personal lives, their business affairs, their effect on culture and it goes on and on. With that in mind, there are certain Beatles books that I actually want to read and no, not another book on the influence of Yoko!

Richie Unterberger is a well known and widely respected rock writer who has written a mamouth, 288 page tome that analyses all the unreleased Beatles music and film out there in amazing detail. Want to know about “Carnival of Light?” It’s all in here. How about the infamous 27 minute version of “Helter Skelter?” Ditto. Everything unreleased, whether on film or on recording tape is covered in such detail that it will take you weeks to sift through it all but it is an amazing read and a fascinating story, especially as it delves into things like the individual Beatles’ home recordings and experiments.

All in all, I’d say you don’t even have to be a Beatles nut to pick up this book. This is rock and roll history and as such it is a treasure trove of information than no self respecting rock and roll fan would want to miss. A fine read.

Later.

Book Review: The Unreleased Beatles by Richie Unterberger

Monday, January 22nd, 2007

Unreleased_1 Their must be more books that have been written about the Beatles then about any other pop band in the history of rock and roll. There are books detailing their tours, their recording techniques, their lyrics, their musical equipment, their personal lives, their business affairs, their effect on culture and it goes on and on. With that in mind, there are certain Beatles books that I actually want to read and no, not another book on the influence of Yoko!

Richie Unterberger is a well known and widely respected rock writer who has written a mamouth, 288 page tome that analyses all the unreleased Beatles music and film out there in amazing detail. Want to know about “Carnival of Light?” It’s all in here. How about the infamous 27 minute version of “Helter Skelter?” Ditto. Everything unreleased, whether on film or on recording tape is covered in such detail that it will take you weeks to sift through it all but it is an amazing read and a fascinating story, especially as it delves into things like the individual Beatles’ home recordings and experiments.

All in all, I’d say you don’t even have to be a Beatles nut to pick up this book. This is rock and roll history and as such it is a treasure trove of information than no self respecting rock and roll fan would want to miss. A fine read.

Later.

Book Review: The Unreleased Beatles by Richie Unterberger

Monday, January 22nd, 2007

Unreleased_1 Their must be more books that have been written about the Beatles then about any other pop band in the history of rock and roll. There are books detailing their tours, their recording techniques, their lyrics, their musical equipment, their personal lives, their business affairs, their effect on culture and it goes on and on. With that in mind, there are certain Beatles books that I actually want to read and no, not another book on the influence of Yoko!

Richie Unterberger is a well known and widely respected rock writer who has written a mamouth, 288 page tome that analyses all the unreleased Beatles music and film out there in amazing detail. Want to know about "Carnival of Light?" It’s all in here. How about the infamous 27 minute version of "Helter Skelter?" Ditto. Everything unreleased, whether on film or on recording tape is covered in such detail that it will take you weeks to sift through it all but it is an amazing read and a fascinating story, especially as it delves into things like the individual Beatles’ home recordings and experiments.

All in all, I’d say you don’t even have to be a Beatles nut to pick up this book. This is rock and roll history and as such it is a treasure trove of information than no self respecting rock and roll fan would want to miss. A fine read.

Later.

Indie News Beat for the week of January 16, 2007

Friday, January 19th, 2007

INDIE NEWS BEAT
January 16, 2006 Edition

* Shauna Burns Releases Powerful EP Desert Tune
* New Duo Hits Number One On Two Charts
* Eric Benson Article Appears On Neil Young Website
* A Fine Adjustment Of Time
* Inside the Music Business Announces National Seminar & Showcase
* 37 Records on the MOVE
* Allegro / Nail Distribution Plan To Re-Sign Label Agreements At MIDEM 2007

Shauna Burns Releases Powerful EP Desert Tune

Shauna Burns developed her delicate vocals and striking piano while growing up in Miami, Florida. Shauna derived inspiration from her mother’s love for the piano. Shauna’s songwriting skills prospered and when she went off to college, her music found fans that were enthusiastic and appreciative of the artistry they heard.

Every Thought was the Shauna Burns debut release in 2006. The recording received rave reviews followed by successful sales. Her 2007 follow-up EP release entitled Desert Tune is an engaging five song EP that captures the spirit and warmth of Shauna’s hypnotic vocals and temperate piano playing. The tracks are clever while playful, in accord with her nature of being personal and captivating. Shauna and her piano are once again joined by co-producer and drummer James Clark, Ryan Tilby on guitar and bass with Steve Lemmon on guitar. Shauna spent some time residing in the desert before recording the EP and the listener benefits from that journey while listening to the music.

Shauna explains her songwriting philosophy as, "It can start with just a feeling, that seed in your stomach that grows until you cannot ignore it anymore. I feel the need to cultivate and nurture these seeds because seeds can grow into big ideas if we take care. It makes me question: What’s next for all of us in this world? What is the universe trying to tell us? I’m listening." Finding inspiration in the world around her is what Shauna Burns is all about and it is no wonder her songs have such feeling and depth.

Source:


New Duo Hits Number One On Two Charts

In their first 30 days, Mimi and Teft landed four chart placements with two first place positions on PureVolume.

Their debut EP, Look Into the Mirror, took the Club and Electronica charts by storm holding number one spot this week on purevolume. They broke out with the number 10 spot on Pop, and 41 over all combined genres. They also received awards from Garageband this week including dance track of the day for January 4, 07.

The duo is hitting the internet streets fast, being one of seven artists chosen to represent MusicDish Network at the international music conference, MIDEM, in January at Cannes, France.

The songwriting team changed their focus last summer from writing for other artists to delivering their own upbeat version of electronic pop. With their first EP, they’ve definitely delivered.

Purevolume stats 12/27/06
#1 in both club and electronica genres of about
20,000 artists
#10 of 21,000 pop artists
#41 of all 362,122 artists

Garageband award - dance track of the day for Jan 4, 2007

Source:


Eric Benson Article Appears On Neil Young Website

Eric Benson can add yet another awesome accomplishment to his music career. Besides having one of the top songs on Neil Young’s Living With War website for nearly 3 months now, (Writings of Holy Men, currently at #37 of almost 1,200 songs), Young recently published an article by Benson, a Canadian musician who is fast becoming one of the most downloaded singer/songwriters on MySpace.com

The article, aptly titled Writings of Holy Men, is just below another editorial written by controversial Oscar winning documentarian Michael Moore (Bowling for Columbine, Farenheit 9/11). Benson says he was surprised to see the article he wrote in a letter to Young and his staff regarding the origins of his popular song on the anti-war website. "I’ve been receiving accolades from around the globe for ‘hitting the nail on the head’, as most have described the editorial, and the song." says Benson from his BC home. "It’s really just my own opinions, and what got me writing the song in the first place. I’m certainly not speaking for anyone else, although it is very gratifying to know that so many others feel the same way. Particularly some of the feedback I’ve received from my American fans."

To read the article, go to "NeilYoung.com" and check out the "Living With War" link. On the same page, there is a link to the "Top Songs of Today" to listen to Benson’s song. Each listen counts as a vote for the tune, pushing it ever closer to the top ten spot. "Writings of Holy Men" has also been chosen as the featured "Song of the Week" at http://www.myspace.com/dreamstormproductions

Source:


A Fine Adjustment Of Time

analoguemindfield.comBlending elements of Trip-Hop, Reggae, Drum and Bass and Ambient, Analogue Mindfields music was described by Cheshire Cat of Leftfield as a heavyweight mix of reggae, old school dub with vibrant brass driven trip skank like a mouthfull of liquorice allsorts

The bands second album ‘A Fine Adjustment of Time’ is all pressed up and is to be released on Malicious Damage Records on 26th February 2007. It will be available on cd and double gatefold transparent coloured vinyl!. Malicious damage will be taking pre-orders for the album on their webisite maliciousdamage.biz. There’s a video in production and it should be ready by the end of the month - we’ll stick it up on youtube as soon as it’s done…

Analogue Mindfield worked on a number of collaborations for ‘A Fine Adjustment of Time’ which include Tim Bran (Subsonar, ex-Dreadzone), Dr Das (ex-Asian Dub Foundation), Eric Rico (producer/remixer Jurassic 5, Pharcyde, Tupac Shakur Tribute album), Belka & Strelka (The Orb, The Transit Kings) and Electric Forgiveness (Jon Dawson - Third of Never, John ‘Rabbit’ Bundrick - The Who, Bob Marley)

Their Mission Statement is simple - Create auditory sound-scapes of challenging yet accessible music, whilst retaining an inspired socially conscious theme to our tunes.- Gizzy D

Analogue Mindfields initial output, entitled Digital Brainwave was released in May 2006 and can be purchased online at the Analogue Mindfield shop . Some notable guests featured, including M.C. Ishu (Step13, Manaseh Soundsystem), Pete Balfe (Yolazy) and the crispy horns of The Love Grocer (Mad Professor, Morcheeba, Steel Pulse, The Bluetones, Horace Andy, Zion Train and Dreadzone).

Youve got to get Weatherall to listen to these tracks man, hell fookin love em- Mani (Primal Scream)

Snapper J and Gizzy D met through their former band The Subtonics and worked with such producers as Leo Pearson (produced U2, Elvis Costello), Trevor Hutchinson (Lunasa, The Waterboys) and Connor Brady (The Blades). It was during this time that they first started working together on the debut recordings of Analogue Mindfield

Source:


Inside the Music Business Announces National Seminar & Showcase

Eric Kline, CEO and founder of the multi-platform Inside the Music Business brand, has unveiled the names of thirty music power players who will be a part of ‘Strategies for Success,’ the company’s premiere national all-genre Seminar & Showcase, taking place April 28th in Ft. Lauderdale.

The ever-growing list of executives, artists, producers, attorneys, video directors, radio programmers & DJs - the POWER PLAYERS, as Kline calls them will include Latin Music impresario Emilio Estefan, former Creed front man Scott Stapp, Hip Hop mogul Steve Rifkind, Grammy nominated producer Steve Bogard, Justin Prager, Music Choice’s Director of Pop & Rock Programming; Music Choice and Music Dish Network’s Editor in Chief Eric de Fontenay to name a few.

‘Strategies for Success’ Seminar & Showcase is an all-encompassing music community event featuring more than 30 industry power players from the worlds of Rock, Urban, Country, Pop, Latin, Dance, Americana/Folk and Christian musicŠ all converging for an explosive one-day experience of education, networking, and showcasing.

Unsigned/indie rock artists of all genres who sign up for the seminar (early bird price is $125) are automatically put into consideration to perform at the VIP showcase by submitting their website or MySpace page during registration. From that pool of registrants, says Kline, ten performers will be picked by an independent panel of industry producers, executives, artists and managers.

Those chosen will perform at the invite-only showcase and will also appear on the syndicated Inside the Music Business radio special and national event DVD.

With interactive panel/audience discussions, the seminar will delve into the ‘new music business’ of 2007. Aspiring producers, labels, managers, directors, and attorneys are encouraged to attend as well. ‘On top of learning about the biz and the unsigned artist showcase,’ notes Kline ‘Strategies for Success’ is an event that is also about networking.

An online campaign kicks off this week, followed by a multi-pronged regional radio and TV blitz. Retail exposure in Sam Ash Music Stores in South Florida has started as well.

To learn more about the event, unique artist/label exposure opportunities and registration, log on to www.InsideTheMusicBusiness.com

Source:


37 Records on the MOVE 37 Records, founded by Steven McClintock, has continued the forward momentum with the release of 4 new CDS in 2006. The recent holiday release of Judy Akin’s Christmas CD entitled SEASONED really ended the year with a bang selling out of the first run within four weeks of delivery. The awarding winning Canadian Bluegrass band Tumbleweed, released its 21 song compilation encompassing 10 years of music in one CD and DVD package including one new song never before recorded.

Indie label

Opening to rave reviews, the Texas born troubadours, Fertitta and McClintock, have finally released the 14 song CD they planned 30 years ago while on Arista Records. Produced in lavish style by famed producer Fred Mollin (VP at Disney Records), the duo has taken their place as one of the best duos to every make music with the release of AFTER ALL THIS TIME. Finally after much demand, the 1983 release of Don McClintock’s CD CHRISTMAS NEEDS LOVE TO BE CHRISTMAS was released on CD.

The label will be at MIDEM conference in Cannes France in January looking for new artist for worldwide release. All CDS available on ITUNES, NAPSTER and other digital sources as well as Amazon.com, NashvilleIM.com and 37records.com

Source:


Allegro / Nail Distribution Plan To Re-Sign Label Agreements At MIDEM 2007 NAIL Distribution, the indie-rock division of the Portland, Oregon based entertainment distributor, Allegro Corporation, is proud to announce that the company plans to attend the 2007 MIDEM conference to further seal concrete relationships with labels such as Mint Records, who will be re-signing a two year distribution agreement with NAIL furthering a long and fruitful relationship.

Chris Scofield, label manager of NAIL Distribution notes: "MIDEM has always led the way in exploring fresh avenues of business for independent companies. The conference continues to pave the way for musical exploration, in a truly global sense. NAIL looks forward to the opportunity to renew relationships with our existing labels such as Mint, as well as shake the hands of potential labels and international distribution prospects at Midem 2007. Our company’s ability to introduce some of the most diverse musical landscapes into the marketplace through avenues such as MIDEM leaves an indelible mark on the music industry as a whole."

In past years, MIDEM has afforded NAIL the opportunity to forge many unique distribution partnerships, such as with Cornerstone/RAS and Park The Van records, which has fostered a critically acclaimed soundtrack for director Richard Linklater’s engaging motion picture, Fast Food Nation, which screened for the first time in France at the 2006 Festival de Cannes as an Official Selection, in competition for the coveted Palme d’Or. Other opportunities include the signing of the legendary and influential ESP-Disk’, who forged a distribution partnership with NAIL / Allegro after meetings conducted at MIDEM in 2005.

With these types of profitable networking threads made at MIDEM, Allegro / NAIL Distribution will continue their reign as one of the most successful and diverse North American industry leaders in music & entertainment distribution today.

Source:

Provided by the MusicDish Network. Copyright © MusicDish LLC 2006 - Republished with Permission

The Drastic Plastic Program Playlist for Monday, January 15, 2007 on CKUT FM

Thursday, January 18th, 2007

This week’s show highlights powerpop gems from the Insomniacs and the Reigning Sound, retro rocking with The Blue Van and The Sights and some fine electro-fried soul from The Dirtbombs. I finally got around to playing something from Sharon Jones and the Dap Kings which is an album anyone can tap their feet to. We finished up as well with a sampling from one of my favourites from 2006, the new Golden Smog album "Another Fine Day" which helped pave the way for the splendid pop sound of Bob Evans. Don’t forget the neat guitar pickings from the Molenes. The Pernice Brothers album "Live a Little" went largely unnoticed last year until a heads up came way by Steve Guimond (Cheers Steve!). Enjoy.!

Artist - Album- Song

The Insomniacs - Wake Up - The Pop Cycle
The Reigning Sound - Time Bomb High School - Brown Paper Sack
The Ponys - Celebration Castle - Glass Conversation
The Sights - s/t - Circus
The Blue Van - Dear Independence - Goldmind
The Sonics - Here are the Sonics - Dirty Rubber
The Dirtbombs - Ultraglide in Black - Chains of Love
Sharon Jones & the Dap Kings - Dap Dippin’ with .. - Got A Thing On My Mind
Golden Smog - Another Fine Day - You Make it Easy
Bob Evans - Suburban Songbook - Friend
The Molenes - This Car is Big - Prosperity Town
The Pernice Brothers - Live a Little - Automation
The Hideaways - Whiskey Tango Sessions - Don’t Try and Love Me
Scissors for Lefty - s.t. Ep - Mama Your Boys Will Find a Home
The Nerves - DIY Compilation - When You Find Out

Thoughts of Lester Bangs at 39000 Feet and 444MPH

Tuesday, January 16th, 2007

Lesterbangs While sitting on the tarmac in Toronto waiting for my plane to be de-iced I did the only thing any bored airline traveler could do in the situation except for screaming at the top their lungs, I grabbed one of the books I had packed for my business trip and hunkered down to read a chapter or 2. Luckily I had dragged along with me a book that has sat neglected for some time but seemed perfectly appropriate for the situation. Psychotic Reactions and Carburetor Dung is an anthology of writings by Lester Bangs edited by Greil Marcus and collects a number of his prolific writings on rock and roll, life on the edge and the need for a revolution now. How does he hold up in these days of blogs, podcasts and instant microwaveable pop? Pretty damn good in my humble opinion.

It’s unfortunate that we live in a time where we are not so much interested in instant gratification as we are in instantaneous answers. We want to know now why that movie sucks, or that CD is good or that band is worth seeing. We don’t have the time to wade through pages of prose in order to get our answer of whether we should buy or more likely download the stuff. Just give us a yes or no, we don’t have the time or the inclination to have to think for crying out loud. The difference between a critic like Bangs and what we supposedly need now is that he took the time to formulate an opinion by elaborately and artfully setting up his argument while most probably deconstructing everything you liked at the time. I don’t think in this day and age anybody wants to be told they’re full of shit and this is unfortunate because Lester Bangs had no problem telling us that we are all in fact full of shit. Never one for a simple answer, he needed the time and space to elaborate on why we are full of shit and that luxury is unfortunately not available to most unless you count those esoteric blogs hanging off the edge of cyberspace that no one reads anyways.

Take for example his review of Funhouse by The Stooges that was published in Creem through November and December 1970. Titled “Of Pop and Pies and Fun: A Program for Mass Liberation in the Form of a Stooges Review, or, Whose the Fool?” most people today would not have the patience to read that review. They would skip to the end to see how many stars he rated the album or his general two line conclusion but they would have been disappointed and pissed off and probably would have just complained that this guy is too damn wordy and maybe just a little bit over the top. Bu they would be missing the whole point. Good critics are not here to tell us whether something is good or bad. A good critic is somebody who makes you think “holy shit, what is this lunatic talking about? I need to investigate this for myself because it may just mean something to me, good or bad.” A critic is not there to tell you how to spend your money but to help you decide why you should experience something for the sake of the experience. Lester Bangs would be the first to argue that he could very well be full of shit himself and the last thing he would want is a complete acceptance of his truth as the truth. Far from it. When I read anything that Bangs wrote half the time I’m shaking my head thinking he’s the one who is full of it. Monotony is not music and what the hell does he have against Led Zeppelin anyway? But at least he unleashes some passion, some emotion as the reader strives to justify to themselves why they like what they like and maybe, just maybe that album which you claim is so great is really a piece of crap and deep down you just know it. Lester Bangs wrote record reviews like little novels. There was passion in his art. He was a joy to read because he was so opinionated. He probably wouldn’t be allowed anywhere near a mainstream magazine today.

Later.

Thoughts of Lester Bangs at 39000 Feet and 444MPH

Tuesday, January 16th, 2007

Lesterbangs While sitting on the tarmac in Toronto waiting for my plane to be de-iced I did the only thing any bored airline traveler could do in the situation except for screaming at the top their lungs, I grabbed one of the books I had packed for my business trip and hunkered down to read a chapter or 2. Luckily I had dragged along with me a book that has sat neglected for some time but seemed perfectly appropriate for the situation. “Psychotic Reactions and Carburetor Dung” is an anthology of writings by Lester Bangs edited by Greil Marcus and collects a number of his prolific writings on rock and roll, life on the edge and the need for a revolution now. How does he hold up in these days of blogs, podcasts and instant microwaveable pop? Pretty damn good in my humble opinion.

It’s unfortunate that we live in a time where we are not so much interested in instant gratification as we are in instantaneous answers. We want to know now why that movie sucks, or that CD is good or that band is worth seeing. We don’t have the time to wade through pages of prose in order to get our answer of whether we should buy or more likely download the stuff. Just give us a yes or no, we don’t have the time or the inclination to have to think for crying out loud. The difference between a critic like Bangs and what we supposedly need now is that he took the time to formulate an opinion by elaborately and artfully setting up his argument while most probably deconstructing everything you liked at the time. I don’t think in this day and age anybody wants to be told they’re full of shit and this is unfortunate because Lester Bangs had no problem telling us that we are all in fact full of shit. Never one for a simple answer, he needed the time and space to elaborate on why we are full of shit and that luxury is unfortunately not available to most unless you count those esoteric blogs hanging off the edge of cyberspace that no one reads anyways.

Take for example his review of Funhouse by The Stooges that was published in Creem through November and December 1970. Titled “Of Pop and Pies and Fun: A Program for Mass Liberation in the Form of a Stooges Review, or, Whose the Fool?” most people today would not have the patience to read that review. They would skip to the end to see how many stars he rated the album or his general two line conclusion but they would have been disappointed and pissed off and probably would have just complained that this guy is too damn wordy and maybe just a little bit over the top. Bu they would be missing the whole point. Good critics are not here to tell us whether something is good or bad. A good critic is somebody who makes you think “holy shit, what is this lunatic talking about? I need to investigate this for myself because it may just mean something to me, good or bad.” A critic is not there to tell you how to spend your money but to help you decide why you should experience something for the sake of the experience. Lester Bangs would be the first to argue that he could very well be full of shit himself and the last thing he would want is a complete acceptance of his truth as the truth. Far from it. When I read anything that Bangs wrote half the time I’m shaking my head thinking he’s the one who is full of it. Monotony is not music and what the hell does he have against Led Zeppelin anyway? But at least he unleashes some passion, some emotion as the reader strives to justify to themselves why they like what they like and maybe, just maybe that album which you claim is so great is really a piece of crap and deep down you just know it. Lester Bangs wrote record reviews like little novels. There was passion in his art. He was a joy to read because he was so opinionated. He probably wouldn’t be allowed anywhere near a mainstream magazine today.

Later.

Straight up!

Monday, January 15th, 2007

When Paula Abdul sang:

Straight up now tell me
Do you really want to love me forever oh oh oh
Or am I caught in a hit and run?

I thought she was talking about some dude, not how she likes her gin.

Bottom’s Up, Girl. Keep Rawking! :)

First impressions of “I’m From Rolling Stone”

Friday, January 12th, 2007

Im_from_rolling_stone It was inevitable that the music industry should feature prominently in the reality TV genre. Whether it be “Rebel Billionaire” with Richard Branson where contestants had to pick and promote a band to be featured at that year’s V Festival, or the various episodes of the Apprentice where the teams had to work with Jessica Simpson (!) and other “hot” musical acts, music is often fertile grounds for reality TV drama. Of course the various “Idol” shows as well as the “Rockstar” franchise go to show that people just can’t seem to get enough of that long hard slog over, ahem, 6 weeks to make it to rock and roll super stardom. I suppose then that it was inevitable that MTV, that corporate music whore and Rolling Stone, the legendary music and culture mag should get together and try and spin a little bit of reality TV magic their way. The result is “I’m From Rolling Stone” a TV show chronicling six aspiring writers who intern with the mag for the summer hoping to land a coveted contributing editor spot for the next year.

Now I must confess, I have a love/hate affair with Rolling Stone. I was a long time subscriber who suffered through its turn away from rock and roll to People magazine on steroids and I can’t say that I turn to it much for music writing these days. I do pick it up occasionally for the odd political piece or for things like the cover piece on John Stewart and Stephen Colbert, but I tend to get my music writing from mags such as Bucketful of Brains, The Big Takeover, Ugly Things, Magnet and this thing called the Internet. That being said I decided to check it out because I still have a place for Rolling Stone in my magazine rack and I was curious about what some of these interns could do.

Of course as with any of these shows, the key is how it has been edited and its pretty clear that the idea was to get as disparate a group as possible for the show since that would obviously make good TV and give the editors a lot of room to maneuver. Therefore you have to make sure that there is in equal parts sexual and racial tension and the clash between street culture and the more mainstream music scene championed by Rolling Stone because nobody wants to watch a bunch of eager writers just well, writing. That is not to say that I am disparaging the talents of the cast of the show. Far from it. From what little I have seen it impresses me that people out there still want to write, and who treat the well written word with the reverence it so richly deserves. I think its the writing and not the star fucking that is what I will be looking out for in future episodes because that’s what working at Rolling Stone should be all about. Of course, Jann Wenner initially started Rolling Stone so he could meet Mick Jagger so it was never a purely journalistic enterprise from the get go.

So what’s my verdict? Too soon to say. The first episode was a little dry and I’m already annoyed with Peter the surfer dude and Russell (despite the fact that you get the impression that he is the most talented). Still, “I’m From Rolling Stone” isn’t that bad. I choose not to look at it as one big ad to subscribe to the magazine and instead as an opportunity to maybe inspire a bunch of kids out there to grab a pen and paper or I suppose a Macbook and bang out the next great record review. Just call it the romantic in me.

And if you think you can write, check out the link above where you can submit your stuff to Rolling Stone in a competition for the public. You just might be the next Lester Bangs or Hunter S. Thompson!

“I’m From Rolling Stone” airs Sunday nights at 10:00 PM on MTV and Thursday nights at 10:30 PM on MTV Canada.

Later.

UPDATED! For an interesting take on the show from a former Rolling Stone writer check out I was once ‘From Rolling Stone,’ and it wasn’t anything like MTV’s new show by rock critic Jim DeRogatis for his cynical take on the whole Rolling Stone “experience.”

UPDATED AGAIN! These are the best and brightest out of 2,000 applicants? Of course not. I learned, from an insider on the show, that writing samples and photos weren’t all that were required from applicants. They were asked such questions as: “What was the last thing that made you cry?” So writes Rolling Stone alumni Ben Fong-Torres in He was from Rolling Stone — he can tell you what it’s really like as he pretty much rips the reality program, and Rolling Stone in the process. I’m still watching but I have to admit my interest is dimming after each episode. The actual process of writing and editing magazine articles as depicted on the show is fascinating but the six interns are all just just getting a little annoying.

First impressions of “I’m From Rolling Stone”

Friday, January 12th, 2007

Im_from_rolling_stone It was inevitable that the music industry should feature prominently in the reality TV genre. Whether it be "Rebel Billionaire" with Richard Branson where contestants had to pick and promote a band to be featured at that year’s V Festival, or the various episodes of the Apprentice where the teams had to work with Jessica Simpson (!) and other "hot" musical acts, music is often fertile grounds for reality TV drama. Of course the various "Idol" shows as well as the "Rockstar" franchise go to show that people just can’t seem to get enough of that long hard slog over, ahem, 6 weeks to make it to rock and roll super stardom. I suppose then that it was inevitable that MTV, that corporate music whore and Rolling Stone, the legendary music and culture mag should get together and try and spin a little bit of reality TV magic their way. The result is "I’m From Rolling Stone" a TV show chronicling six aspiring writers who intern with the mag for the summer hoping to land a coveted contributing editor spot for the next year.

Now I must confess, I have a love/hate affair with Rolling Stone. I was a long time subscriber who suffered through its turn away from rock and roll to People magazine on steroids and I can’t say that I turn to it much for music writing these days. I do pick it up occasionally for the odd political piece or for things like the cover piece on John Stewart and Stephen Colbert, but I tend to get my music writing from mags such as Bucketful of Brains, The Big Takeover, Ugly Things, Magnet and this thing called the Internet. That being said I decided to check it out because I still have a place for Rolling Stone in my magazine rack and I was curious about what some of these interns could do.

Of course as with any of these shows, the key is how it has been edited and its pretty clear that the idea was to get as disparate a group as possible for the show since that would obviously make good TV and give the editors a lot of room to maneuver. Therefore you have to make sure that there is in equal parts sexual and racial tension and the clash between street culture and the more mainstream music scene championed by Rolling Stone because nobody wants to watch a bunch of eager writers just well, writing. That is not to say that I am disparaging the talents of the cast of the show. Far from it. From what little I have seen it impresses me that people out there still want to write, and who treat the well written word with the reverence it so richly deserves. I think its the writing and not the star fucking that is what I will be looking out for in future episodes because that’s what working at Rolling Stone should be all about. Of course, Jann Wenner initially started Rolling Stone so he could meet Mick Jagger so it was never a purely journalistic enterprise from the get go.

So what’s my verdict? Too soon to say. The first episode was a little dry and I’m already annoyed with Peter the surfer dude and Russell (despite the fact that you get the impression that he is the most talented). Still, "I’m From Rolling Stone" isn’t that bad. I choose not to look at it as one big ad to subscribe to the magazine and instead as an opportunity to maybe inspire a bunch of kids out there to grab a pen and paper or I suppose a Macbook and bang out the next great record review. Just call it the romantic in me.

And if you think you can write, check out the link above where you can submit your stuff to Rolling Stone in a competition for the public. You just might be the next Lester Bangs or Hunter S. Thompson!

"I’m From Rolling Stone" airs Sunday nights at 10:00 PM on MTV and Thursday nights at 10:30 PM on MTV Canada.

Later.

UPDATED! For an interesting take on the show from a former Rolling Stone writer check out I was once ‘From Rolling Stone,’ and it wasn’t anything like MTV’s new show by rock critic Jim DeRogatis for his cynical take on the whole Rolling Stone "experience."

UPDATED AGAIN! These are the best and brightest out of 2,000 applicants? Of course not. I learned, from an insider on the show, that writing samples and photos weren’t all that were required from applicants. They were asked such questions as: "What was the last thing that made you cry?"  So writes Rolling Stone alumni Ben Fong-Torres in He was from Rolling Stone — he can tell you what it’s really like as he pretty much rips the reality program, and Rolling Stone in the process. I’m still watching but I have to admit my interest is dimming after each episode. The actual process of writing and editing magazine articles as depicted on the show is fascinating but the six interns are all just just getting a little annoying.

The Drastic Plastic Playlist for January 8th, 2007 on CKUT FM Montreal

Thursday, January 11th, 2007

As I mentioned in a previous post, the first “3 Amigos” show on the Drastic Plastic Program on CKUT FM here in Montreal was a wild affair. Our humble one hour look back at 2006 turned into a 3 hour rock and roll marathon when we were left stranded by DJs not showing up for their allotted slots. Luckily, we managed to pull it off, if not in style well at least in enthusiasm as we played everything from The Ramones to The Ettes to The Slits in those 2 hours. We are still trying to piece together what exactly we did play from 11:00 PM until 1:00 AM but here is the playlist for the first hour of the show:

Artist - Album - Song

  1. Daphne - S/T - "Sin"
  2. Galore - Amplifier - "She’s an Elevator"
  3. The Fags - Light ‘em Up - "Rockstar"
  4. New York Vaults - Fuel Your Fascination - "Stoned Faces"
  5. The Piper Downs - Varying Degrees of Failure and Tunelessness - "Louder"
  6. Red Seven - Anywhere But Here - "Someone Else’s Name"
  7. Liam Frost - Show Me How the Spectres Dance - "The City is at a Standstill"
  8. Liam Frost - Show Me How the Spectres Dance - "She Painted Pictures"
  9. Liam Frost - Show Me How the Spectres Dance - "The Mourner’s of St. Paul’s"
  10. Calexico - Garden Ruin - "Panic Open String"
  11. Pere Ubu - Why I Hate Women - "Caroleen"
  12. Arab Strap - The Last Romance - "Stink"
  13. Built To Spill - You in Reverse - "Traces"

Remember you can always listen to the show at the CKUT FM archives so check it out!

Later.

The Radio Heartbeat Powerpop Festival

Thursday, January 11th, 2007

Rhpromo31_1

This looks interesting! The Radio Heartbeat Powerpop Festival will be taking place from March 29th until April 1st, 2007 at Southpaw in Brooklyn, New York. Check out their MySpace page for all the details.

UPDATED! They now have a website. Check out http://radioheartbeat.net/.

Later.

Record Review: One Bad Son - Unreleased tracks from their upcoming sophomore album

Thursday, January 11th, 2007

Well this is different. I’m not one to review unreleased songs destined for an upcoming album but since a lot of them are available on the band’s MySpace site I figured what the hell!

Onebad_son For anybody that reads this site regularly, they will know that my tastes tend to run towards power pop and garage type rock with regular excursions to harder rockin’ territory once in awhile. One Bad Son took me by surprise because it is heavier than my normal rock and roll diet. When I heard the first song “Gringo” that is slated for their sophomore album this Spring I thought “Woah, this stuff is pretty crunchy and the vocals are heavy man” but by the time the second song “The Matterhorn” hit I tried to place who they reminded me of as I cranked the volume slowly but surely. Halfway through the track it hit me. Shit these guys remind me of the late great Soundgarden, a band I absolutely loved in the early 90s! All was good but then I heard “SunFire” (currently streaming off of my MySpace page) and then I knew these guys were special. The telltale signs were there: I played the song 3 times in quick succession while loading it onto my playlist for the next Rock and Roll Report Radio (set to air on January 22nd, 2007 by the way). A phenomenal song and a classic in my humble opinion.

Hailing from the rock and roll hotbed of Saskatoon, Saskatchewan, the four guys in One Bad Son have put together an awesome set of heavy but satisfyingly hard rock and roll that will make a killer album. With their debut album “This Agression Will Not Stand” garnering rave reviews and their live show blowing people away all over the place, this band will not suffer the dreaded “sophmore jinx” based on what I have heard. Check out their MySpace page for a listen to some of the new songs (Gringo, The Matterhorn and SunFire) and by all means check them out live if they come to the local rock and roll dive near you. Great stuff.

Later.

album cover ONE BAD SON: This Aggression Will Not StandModern hard rock in the vein of Alice in Chains or Audioslave. “Appetite for Destruction meets Houses of the Holy” (Exclaim. Magazine, June/06)

Buy the CD

Record Review: One Bad Son - Unreleased tracks from their upcoming sophomore album

Thursday, January 11th, 2007

Well this is different. I’m not one to review unreleased songs destined for an upcoming album but since a lot of them are available on the band’s MySpace site I figured what the hell!

Onebad_son For anybody that reads this site regularly, they will know that my tastes tend to run towards power pop and garage type rock with regular excursions to harder rockin’ territory once in awhile. One Bad Son took me by surprise because it is heavier than my normal rock and roll diet. When I heard the first song “Gringo” that is slated for their sophomore album this Spring I thought “Woah, this stuff is pretty crunchy and the vocals are heavy man” but by the time the second song “The Matterhorn” hit I tried to place who they reminded me of as I cranked the volume slowly but surely. Halfway through the track it hit me. Shit these guys remind me of the late great Soundgarden, a band I absolutely loved in the early 90s! All was good but then I heard “SunFire” (currently streaming off of my MySpace page) and then I knew these guys were special. The telltale signs were there: I played the song 3 times in quick succession while loading it onto my playlist for the next Rock and Roll Report Radio (set to air on January 22nd, 2007 by the way). A phenomenal song and a classic in my humble opinion.

Hailing from the rock and roll hotbed of Saskatoon, Saskatchewan, the four guys in One Bad Son have put together an awesome set of heavy but satisfyingly hard rock and roll that will make a killer album. With their debut album “This Agression Will Not Stand” garnering rave reviews and their live show blowing people away all over the place, this band will not suffer the dreaded “sophmore jinx” based on what I have heard. Check out their MySpace page for a listen to some of the new songs (Gringo, The Matterhorn and SunFire) and by all means check them out live if they come to the local rock and roll dive near you. Great stuff.

Later.

album cover ONE BAD SON: This Aggression Will Not StandModern hard rock in the vein of Alice in Chains or Audioslave. “Appetite for Destruction meets Houses of the Holy” (Exclaim. Magazine, June/06)

Buy the CD

Record Review: One Bad Son - Unreleased tracks from their upcoming sophomore album

Thursday, January 11th, 2007

Well this is different. I’m not one to review unreleased songs destined for an upcoming album but since a lot of them are available on the band’s MySpace site I figured what the hell!

Onebad_son For anybody that reads this site regularly, they will know that my tastes tend to run towards power pop and garage type rock with regular excursions to harder rockin’ territory once in awhile. One Bad Son took me by surprise because it is heavier than my normal rock and roll diet. When I heard the first song "Gringo" that is slated for their sophomore album this Spring I thought "Woah, this stuff is pretty crunchy and the vocals are heavy man" but by the time the second song "The Matterhorn" hit I tried to place who they reminded me of as I cranked the volume slowly but surely. Halfway through the track it hit me. Shit these guys remind me of the late great Soundgarden, a band I absolutely loved in the early 90s! All was good but then I heard "SunFire" (currently streaming off of my MySpace page) and then I knew these guys were special. The telltale signs were there: I played the song 3 times in quick succession while loading it onto my playlist for the next Rock and Roll Report Radio (set to air on January 22nd, 2007 by the way). A phenomenal song and a classic in my humble opinion.

Hailing from the rock and roll hotbed of Saskatoon, Saskatchewan, the four guys in One Bad Son have put together an awesome set of heavy but satisfyingly hard rock and roll that will make a killer album. With their debut album "This Agression Will Not Stand" garnering rave reviews and their live show blowing people away all over the place, this band will not suffer the dreaded "sophmore jinx" based on what I have heard. Check out their MySpace page for a listen to some of the new songs (Gringo, The Matterhorn and SunFire) and by all means check them out live if they come to the local rock and roll dive near you. Great stuff.

Later.

album cover ONE BAD SON: This Aggression Will Not Stand

Modern hard rock in the vein of Alice in Chains or Audioslave. "Appetite for Destruction meets Houses of the Holy" (Exclaim. Magazine, June/06)

Buy the CD

Noise Pop 2007 confirms more bands

Thursday, January 11th, 2007

The Noise Pop festival has confirmed a bunch of new bands including the legendary Roky Ericson (who played here at Pop Montreal last fall). Besides Roky they have confirmed:

  • The Ponys
  • The Dandy Warhols
  • Jolie Holland
  • The Donnas
  • Sebadoh
  • Ted Leo and the Pharmacists
  • Josh Ritter
  • Autolux
  • Richard Swift
  • Earlimart
  • Ghostland Observatory
  • Midlake
  • Hella
  • Vic Chestnut
  • Lyrics Born
  • John Vanderslice
  • Spinto Band
  • Clinic

The festival takes place from February 27th until March 4th, 2007 in San Francisco. It is shaping up to be another legendary event.

Later.

MOON BIO-PIC HAS LEADING MAN

Wednesday, January 10th, 2007

Keithmoon It’s finally official. After years of speculation, NME.com reports that Wayne¹s World and Austin Powers star Mike Myers is set to play The Who’s Keith Moon in the film adaptation of his life. Moon died in 1978 and his former bandmate, frontman Roger Daltrey, hand picked Myers to fill the late drummer¹s role, and he told us the producers had complete faith that he would find the right man. I think they trust me to be true to the character of this man with all his complexities and he was deeply, deeply complex as a person. He was incredibly, incredibly articulate. He was incredibly intelligent and he had an incredible gift of mimicry. I think he had genius qualities as a drummer. The movie now titled, See Me, Feel Me: Keith Moon Naked For Your Pleasure, was green-lit back in 2005. It is now slated for a 2009 release.

Source: 2007 Punmaster’s MusicWire  http://www.punmaster.com

Drastic Plastic! Reflections on a 3 hour radio marathon where the music matters, radio is fun and food is scarce

Tuesday, January 9th, 2007

250pxwkrp_les_and_johnny Well we kicked of the very first “3 Amigos” radio show on the Drastic Plastic Program on CKUT FM last night and man oh man was it a wild introduction to the airwaves! The 3 Amigos in case you are wondering are: Doug Ford, the longtime host of the Drastic Plastic Program on CKUT FM here in Montreal and a man who’s taste in rock and roll runs the gamut from thrashy noise punk, eclectic alt country to demented garage rock and roll and everything in between; Armitage Shanks, a man who’s passion for the UK indie scene is possibly only exceeded by his devotion to his beloved Manchester United and yours truly, who tries to keep the rock and roll fires burning on the radio by playing only the finest unsigned and indie rock and roll that never gets a fair shake from commercial rock radio. What he have been doing since about last September is rotating in the 10:00 – 11:00 PM time slot on the Drastic Plastic Program so that each of us is on approximately once a month spinning our favourite tunes for our massive fan base of parents, mental patients and late night maintenance men everywhere (by the way the next Rock and Roll Report Radio is January 22nd. Shanks is up on January 15th).

In a hastily converged meeting last week at the legendary Ground Zero Studios amongst bulging boxes of old 7 inch punk vinyl and sagging bookcases of books by or about Lester Bangs, Hunter S. Thompson and Jack Kerouac we decided that it would be fun to try and get together once a month on the air and do something as the “3 Amigos” with the obvious starting point being a look back at 2006 and a look ahead to what 2007 may have in store for rock and roll junkies everywhere. That was the plan. The first hour went by without a hitch and some great tunes were played by everybody from The Piper Downs to Liam Frost. The show was fun and once again demonstrated that radio is the ultimate filter provided that the people behind the microphones are passionate about music and have a sense of adventure. What we didn’t expect was for our humble one hour show to evolve into a three hour rock and roll marathon as first the 11:00 PM and then the midnight DJ neglected to show up or otherwise let us know that we were on our own.

Ckutlogo_2 To say we had to scramble is an understatement as the three of us raided the “new release” bin and the record library with equal abandon. Playing everything from Quebecois rockers Call Me Poupée to the Ramones to live Paul Weller to a bluegrass version of “Highway Star” by Deep Purple, we had an absolute blast. With selections that alternately flowed seamlessly together or crashed jarringly into each other, the show was part rock and roll love affair and part chaotic sound collage but in the end it demonstrated the beauty of what live radio can provide, something that an iPod shuffle could never do and that is that music is best enjoyed accompanied by context and personality. Be it a live band on a small club stage or a live DJ spinning a story of how the Fleshtones influenced her life and then getting to listen to perhaps something you have never heard before, music by necessity needs the social element of people talking to people to fully exploit its power. Live radio and live music are the reasons we are so passionate about the stuff and I suspect it is also what keeps you going as well.

Needless to say the playlist for last night’s show will not be posted until we can reconstruct what the hell happened last night but you can have a listen to 3 hours of complete and totally live rock and roll radio where 3 friends managed to rock out, stay sane (somewhat) and prove to themselves that radio and rock and roll at the end of the day has to be fun to be good. The laughs were infectious, the music amazing, the experience priceless. What more could one music fanatic ask for on a cold rainy night in Montréal?

Later.

Interview With NYC-based JP Bommel, Vice President, Sales & Business Development, MIDEM

Tuesday, January 9th, 2007

Interview With NYC-based JP Bommel, Vice President, Sales & Business Development, MIDEM
Bommel Sheds Light On Upcoming MIDEM 2007 Conference Events
by Anne Freeman,

I recently interviewed JP Bommel, Vice President, Sales & Business Development, Midem, who is based in New York City, NY, U.S.A. In the interview below, we discuss what is in store for the fortunate music industry representatives who will attend the 2007 MidemNet conferences, and 21-25 January 2007, at the Palais des Festivals, Cannes, France.

[Anne Freeman] JP, what is unique about the Midem Conference, which takes place every year at the end of January in Cannes, France?

JP Bommel Midem is a business-to-business show that takes place every year. This year will be our 41st year. It’s open for five days and it’s a great opportunity for exhibit, to advertise or attend. You can educate yourself with some wonderful seminars. We had 66 meetings and seminars, and about 222 speakers in 2006, and we expect to do the same in 2007. The highlight of the conference, if you will, is a technology forum called MidemNet. MidemNet is a two-day forum to discuss the current business models, what the revenues are, what’s happening in that market, and what are the big trends, such as content for cell phones. We discuss all of the issues at Midem at the global level.

[Anne Freeman] I attended Midem for the first time last year, the 40th Anniversary of Midem. I must admit it was a bit overwhelming at times!

JP Bommel It sounds overwhelming, but Midem is quite simple. It is organized in different days in different themes. Midem is a conference and a trade show. Midem can be seen as an overwhelming event, but it’s really a great opportunity for networking. What Midem is really about is making contacts with people in the commerce of music. We expect above 10,000 people 93 countries the year, and we’re well on target for that. We had 4,300 companies represented last year, and about 2,300 companies exhibited. It’s the largest trade show in the world of music, and it’s a fantastic opportunity for people who are in music to do their global business in Cannes. They can convene there; do business, whether you are in the digital space, the content space, or professional services catering to the music industry °¶

I’ll talk about the conference first. The conference starts with MidemNet on the Saturday and Sunday. MidemNet is two days where you discuss doing business in the digital space. Attendance is limited to 1200 people. It’s an audience of CEOs and people involved at a high level of digital entertainment. We have two days of panels and keynotes. We try to cover the entire spectrum of the digital market during MidemNet. (For a list of the confirmed MidemNet speakers, see "MIDEMNET FORUM".)

[Anne Freeman] Midem also offers many informative panels, some of which I had the opportunity to attend last year. I’m looking forward to this year’s panels. What’s in store for us at Midem in 2007, JP?

JP Bommel On Monday morning, our first panel is a wonderful panel that really reflects the trends of the music industry today. It’s called "Music for Images." Music for Images presenters will discuss the business of music in T.V., film, video games and brands. We’ll have amazing people coming to that panel, as well. One of the trends that effects people who come to Midem, I would have to say, is how to make money with nontraditional revenue from the music industry, and that is to tie your music in TV and to brands. The whole morning on Monday is based on that.

[Anne Freeman] Do you find that there is a lot of interest amongst the global music industry for information about these nontraditional revenue steams?

JP Bommel Absolutely! When you start touching upon what we call sync-licensing rights, all of the majors have taken a stand on that. Yes, there is a great demand for that from our audience, so we’re pleased to have these panels.

[Anne Freeman] What else is in store for us on Monday?

JP Bommel At noon, we’ll have what is considered the largest revenue-producing sector of attending Midem - and of the industry at large °© and that is the live business. We’ll have a global summit around the issues of touring, what are bands facing in the world of concerts, and so forth. That’s on Monday afternoon.

And in between the morning and afternoon sessions, we have one of our networking luncheons where we bring 100 to 120 top-level music executives involved in music for images to meet with music supervisors. It’s a mixer, a greet and meet. We try to blend it so that the 100 or so people who are very concerned about music for sync rights meet with music supervision for films and TV, and the world of advertisers. The 1®–-hour luncheon will be at the Majestic Hotel across the street from the conference. It’s a great event.

[Anne Freeman] I see on the www.Midem.com site that some other exciting events will be returning to Midem 2007?

JP Bommel Yes, will have Global A&R panels, which are put together with help from our partner, MusicExpo. MusicExpo is a conference that takes place in the States from a global A&R focus. It’s an opportunity to hear about how you acquire content, what are the trends around the world, what are the different challenges in A&R today, and so forth. Again, then we’ll break for lunch, and this year we’ll have an A&R and live luncheon to bring together two worlds that connect, but they are the beginning and the end of the spectrum, the studio and the stage. We had a lot of fun doing that last year.

This particular lunch is actually brought to us and sponsored by an amazing newcomer to Midem, a company called www.rehearsals.com. What Rehersal.com does is the business of rehearsals. They have a very large soundstage in L.A. They have remote-controlled cameras in their rehersal studios that record rehearsals, providing original content for distribution by musicians around the world. They have a great business model and are run by great people.

[Anne Freeman] I will be sure to attend that event. What’s next?

JP Bommel Monday night is our "Personality of the Year" event. This year we are very happy to announce that Claude Nobs, founder and CEO of the world renowned music event ‘The Montreux Jazz Festival’ has been nominated MIDEM personality of the year. It’s another one of those wonderful networking events. We match the executives with those doing business in the independent community. We always provide opportunities for independent record companies and other small companies °© for lack of a better work °© to meet with and hang out with the majors and publishers. Our Personality of the Year award is a dinner for about 200 °©250 people, which is a beautiful black tie event with great entertainment. (See "Claude Nobs, Founder & CEO Of The Montreux Jazz Festival, Named Midem 2007 Personality Of The Year" for the Personality of the Year announcement and interview.)

[Anne Freeman] JP, last year the opening night celebration was sponsored by the Country of Finland. What’s in store for the opening party for 2007?

JP Bommel We are really looking forward to this year’s Opening Night which will be particularly exciting, but I’m afraid I’m not able to announce anything quite yet. Your readers need to stay tuned to Music Dich to find out all the details of this, which we should be announcing it soon.

[Anne Freeman] Good advice for news about a great night. I am looking forward to a sleep deprived Monday night at MIDEM 2007, JP!

We’ll continue our conversation with JP next edition.

Some key Midem statistics:

MEET KEY PLAYERS FROM EVERY SECTOR, GENRE AND COUNTRY

(% of companies in each activity)

°§ Recording: 50%
°§ Publishing: 33%
°§ Licensing: 29%
°§ Production: 28%
°§ CD/DVD distribution: 20%
°§ Audio & Video: 20%
°§ Digital & Media: 19%
°§ Artist management: 18%
°§ Live music: 17%

You’ll find just about every single music genre represented at the market, with specialized sections for Classical, Jazz, Electronic and Urban.

To register now for Midem 2007, the World Music Market, visit www.Midem.com

USA/LATIN AMERICA & CARIBBEAN: REED MIDEM NEW YORK OFFICE

JP Bommel, Vice President, Sales & Business Development, NYC Office, Tel: +1 212 284 5145

360 Park Avenue South - 14th Floor, New York, NY 10010, USA
Tel: +1 212 284 5142 / Fax: +1 212 284 5148
General sales enquiries: midemusa@reedmidem.com

Provided by the MusicDish Network. Copyright © MusicDish LLC 2007 - Republished with Permission

Rock and Roll Hall of Fame Inductees Announced

Monday, January 8th, 2007

The Rock and Roll Hall of Fame has announced this year’s inductees to that “hallowed” institution. R.E.M., Van Halen, Patti Smith, Grandmaster Flash and the Ronettes made the grade for 2007. It will be fun to see R.E.M. perform with Bill Berry again but who will front the soap opera that has become Van Halen? And will Michael Anthony be invited?

Later.

Rock and Roll Hall of Fame Inductees Announced

Monday, January 8th, 2007

The Rock and Roll Hall of Fame has announced this year’s inductees to that "hallowed" institution. R.E.M., Van Halen, Patti Smith, Grandmaster Flash and the Ronettes made the grade for 2007. It will be fun to see R.E.M. perform with Bill Berry again but who will front the soap opera that has become Van Halen? And will Michael Anthony be invited?

Later.

Record Review: The Pigs - “Oink” (Disturbing Music)

Monday, January 8th, 2007

Pigscdcov Attention all Cars fans! Forget that sham that is the “new Cars.” I have something that will give you your fair share of quirky, synth soaked power pop fun that will have you pumped up and looking for your skinny ties in the attic. May I present to you “Oink” by The Pigs. The brainchild of Geoff Westen, “Oink” is a total and complete guilty pleasure from beginning to end. At first I was kind of confused until the chorus of “Saturday Night” (click to listen) kicked in and I was looking for the “action man” and from there things kind of morphed from one synth chord to chorus.

Really, setting aside the fact that this album title (and band name for that matter) stink, “Oink” has enough cool studio production tricks and catchy hooks to make you think of The Cars drinking with Devo in a parking lot. Certainly a CD that requires multiple listens and a good sense of playfullness. “Oink” by The Pigs smells like pure pop fun. I like it.

Check out their MySpace site and enjoy.

Later.

Record Review: The Pigs - “Oink” (Disturbing Music)

Monday, January 8th, 2007

Pigscdcov Attention all Cars fans! Forget that sham that is the “new Cars.” I have something that will give you your fair share of quirky, synth soaked power pop fun that will have you pumped up and looking for your skinny ties in the attic. May I present to you “Oink” by The Pigs. The brainchild of Geoff Westen, “Oink” is a total and complete guilty pleasure from beginning to end. At first I was kind of confused until the chorus of “Saturday Night” (click to listen) kicked in and I was looking for the “action man” and from there things kind of morphed from one synth chord to chorus.

Really, setting aside the fact that this album title (and band name for that matter) stink, “Oink” has enough cool studio production tricks and catchy hooks to make you think of The Cars drinking with Devo in a parking lot. Certainly a CD that requires multiple listens and a good sense of playfullness. “Oink” by The Pigs smells like pure pop fun. I like it.

Check out their MySpace site and enjoy.

Later.

Record Review: The Pigs - “Oink” (Disturbing Music)

Monday, January 8th, 2007

Pigscdcov Attention all Cars fans! Forget that sham that is the "new Cars." I have something that will give you your fair share of quirky, synth soaked power pop fun that will have you pumped up and looking for your skinny ties in the attic. May I present to you "Oink" by The Pigs. The brainchild of Geoff Westen, "Oink" is a total and complete guilty pleasure from beginning to end. At first I was kind of confused until the chorus of "Saturday Night" (click to listen) kicked in and I was looking for the "action man" and from there things kind of morphed from one synth chord to chorus.

Really, setting aside the fact that this album title (and band name for that matter) stink, "Oink" has enough cool studio production tricks and catchy hooks to make you think of The Cars drinking with Devo in a parking lot. Certainly a CD that requires multiple listens and a good sense of playfullness. "Oink" by The Pigs smells like pure pop fun. I like it.

Check out their MySpace site and enjoy.

Later.

Gérard Girard’s Top 10 0f 2006

Monday, January 8th, 2007

Gérard Girard, host of Pop Dreams on Radio DIO in France and a frequent contributor to The Rock and Roll Report has compiled his best of 2006.

-The Cinders “up from the ashes” (ELP Records www.elprecords.com) amazing french power pop
-The Raconteurs “broken boy soldier” White + Benson = impressive
-Tommy Keene “crashing the either” same old great story!!
-Semion “help me I work in an office” http://www.semionline.co.uk British pop sensation!
-Champagne Francis “I start to daydream” http://www.champagnefrancis.com NY pop sensation!
-Lemonheads the great return!!
-The John Venture http://www.uniquerecords.org great french music sensation!
-Gregg Swann “everybody’s got to be somewhere” www.greggswann.com NY popster comeback!
-Jorges”possibly now” mailto:jorgesmusic@gmail.com (I know it’s 2005 but only in my cd player in 2006)
-Teen Appeal “act” Wizzard in Vinyl/ great compilation of frenchpower pop heroes

Honorable mentions : best of Replacements/best of Rem/M Sweet + S Hoffs/Badways/High on Stress/Steven Marck/John Carillo/Monkeeman/Shane Searles/Rainy Day Saints/Leon Rousseau (another french pop sensation)

Would like to thank Mark, David Bash, J Borack, Jeremy, Ray, Mickster, Bruce Brodeen (hey never got your last package!!) for their help.

Gérard Girard