Archive for January, 2005

Now this is Rock and Roll! Bang Sugar Bang

Monday, January 31st, 2005

Bang_sugar_bang I just recieved a batch of CDs from the fine folks at Nicotine Records and as I shuffled through the pile I began looking for one CD to listen to first. I decided to pick Bang Sugar Bang’s "Greatest Hits" using that twisted rock and roll logic that I thought the band’s name was cool. This is one of those CDs, and this is one of those bands that when you pop their CD into the CD player, you start to edge the volume up just a quarter of the way into their first track. Then a little bit more. Then some more after that. By the third song you are risk the serious possibility of speaker damage and yet you remain strangely unconcerned as the music is that good. Bang Sugar Bang are a great hook laden rock and roll tour de force that are a blast to listen to. If you don’t believe me, head out to the A/V section of their site and download or stream a couple of tracks to get them under your skin. See, I told ya so. Great stuff.
Later.

David Bash’s Top Picks of 2004 Continued

Monday, January 31st, 2005

We continue checking out David Bash of International Pop Overthrow fame’s top 125 picks of 2004 with today’s installment of numbers 50-74:

50. The Pillbugs-Happy Birthday (Proverus)

51. Daniel Saturn-Still That Same Refrain (Vladivostock)

52. Doug Powell-Day For Night (Parasol)

53. A.C. Newman-The Slow Wonder (Matador)

54. The Maharajas-Unrelated Statements (Self-Released)

55. The Ringles-Take A Ride (Jam)

56. Epic-Sunshine State (Revolver)

57. Lazy Susan-Never Better (Self-Released)

58. Fooling April-Every Good Boy Does Fine (Kool Kat)

59. Red Planet-We Know How It Goes (Gearhead)

60. Bowman-Living To Breathe (Self-Released)

61. Junebug-Second (Planet 8)
62. Bill Lloyd-Back To Even (New Boss Sounds)

63. The Breetles-Don’t Smile (Shuss/No Fault)

64. Sensory Lullaby-A Legend In Our Spare Time (Self-Released)

65. The Swift-Today (Flicker)

66. The Zinedines-Take Me Take Me (Rainbow Quartz)

67. Bang Sugar Bang-Thwak Thwak Go Crazy!! (War Room)

68. Stratocruiser-Suburban Contemporary (Zip)

69. Barry Holdship-Ruff Trax (Bad Axe)

70. Junebug-First (Planet 8)
71. The Breakup Society-James At 35 (Get Hip)

72. Rusty Anderson-Undressing Underwater (Oxide)

73. John Hoskinson-Miscellaneous Heathen (Kaopeoths)

74. Stephen Lawrenson-Every Summer (Paisley Pop)

Sound Off! EMP’s Battle Of The Bands Is Launching Pad For Musical Careers

Monday, January 31st, 2005

Sound Off!, Experience Music Project’s annual battle of the bands for Pacific Northwest musicians ages 21 and under, returns for its fourth year. The competition supports Seattle’s underage band scene by giving musicians the opportunity to play their original music at EMP in front of a live audience, and recording label representatives. Sound Off! Bands jam with the same pulsating sound and visual equipment that professionals use.

Previous Sound Off! competitions have proven an effective launching pad for young talent. Finalists from 2003 and 2004, Idiot Pilot and Schoolyard Heroes, signed with record labels Reprise Records and The Control Group just months after performing at Sound Off!. Schoolyard Heroes has received substantial airplay locally since releasing their first album, Funeral Sciences.

"We were blown away by this year’s pool of creative young musicians," said Bob Santelli, Director of EMP Programs. "Every year we have a panel of music-industry professionals who choose the nine semifinalists. We had over one hundred entries this year, and they really had a tough time narrowing down the field. We are excited to hear the nine semifinalists perform live."

This year promises to be another intense musical battle to the finish, with a full month of live weekend performances kicking off on Saturday, Feb. 5 with the first of three semifinals.

Three finalists will then go head to head on the Sky Church stage, Saturday, Feb. 26 at 8pm. At stake are career-enhancing prizes including an opening slot for the multi-platinum The Presidents of the United States of America at one of their local shows in 2005, time in a recording studio, an opportunity to perform at Bumbershoot 2005, production of a CD thanks to Discmakers, and guaranteed airplay on radio 107.7’s The Young & The Restless.

Bands competing in the first semifinal on Feb. 5 are Handshakes, an exhilarating fusion of electronica and rock, The Neons, an alternative pop-rock sister duo and Paper or Plastic, a promising rock band from Portland.

On Feb. 12, the second semifinal lineup includes hip-hop’s newest Aluzjun, Indie-influenced The Last Romance, and fast-paced punk band, Nameless Danger.

The last semifinal on Feb. 19 includes Gruff Mummies, an edgy glam rock band, The Paramours, an Indie-rock band and Squid vs. Shark, creators of quirky, danceable Indie-pop tunes.

All bands are judged on song composition and arrangement, creativity and originality, musicianship and audience response. Judges will include local musicians, as well as music industry professionals from recording studios, radio stations, and the press. DJ, Harms, from 107.7 The End will emcee each Saturday night.

For a full schedule of Sound Off! performances and sound clips from this year’s lineup, please see the special events section of the EMP Web site, www.emplive.com . Tickets are available through EMP’s box office at 206.770.2702 or 1.877.I-LISTEN. Tickets are $5 for EMP members, $7 for teachers and students, and $10 for the public.

A New Spin on Montreal

Monday, January 31st, 2005

Montreal Now I am no Spin Magazine fan as you may or may not know (my tastes run to Harp, Mojo and Magnet with an order of Ugly Things and Shindig on the side) but when I heard that they were doing a 5 page spread on Montreal as "the next big scene" my first and only reaction was….buy it! I have no problem with encouraging others to do the same as Montreal is a great, cosmopolitan city that is in many ways an unknown gem, especially when it comes to rock and roll. With the Dears, Sam Roberts, Arcade Fire, High Dials, up and coming sensations Pony Up! and many more, all I can say is if you ever were considering visiting our fair city, come for the food, stay for the rock and roll. You won’t be disappointed.
UPDATE! The New York Times has jumped on the bandwagon in their piece Cold Fusion: Montreal’s Explosive Music Scene. While some in the Montreal music community think the attention is great, others are not so sure according to the article Seattle Redux? by T’Cha Dunlevy of the Montreal Gazette.
Later.

Eclectic Roskilde

Monday, January 31st, 2005

The Roskilde Festival is certainly both a historical event as well as an eclectic one. Taking place this year on June 30- July 3, the organizers have just announced that they have added Black Sabbath with its original line-up, Green Day and The Dears to the roster of acts. Now that’s a wide variety of rock and roll! Refreshing.
Later.

Get Ready for Garagestock in the Ozark Mountains!

Monday, January 31st, 2005

What can be any cooler than garage bands battling it out in the American Ozark mountains? Check out this press release and start tuning up!

FIRST ANNUAL GARAGE STOCK AT BEAUTIFUL CAMP ZOE IN THE OZARK MOUNTAINS IN MISSOURI

Email: dbrewster@dimbyville.com

Url: http://www.garagestock.com

For Immediate Release

For more information, contact:
Garage Stock
2110 Menard Ste. D
St. Louis, MO 63104
314-776-6927
www.GarageStock.com

dbrewster@dimbyville.com

DATE: July 21,22,23,24 2005

TIMES: From 5pm Thursday until 2am Monday

LOCATION: Salem Missouri, at Camp Zoe, South West Missouri

TICKET PRICE: All week $60.00 Adv /$80.00 DOS
July 23rd all day $20.00, July 24th all day $20.00. No advance
Ticket Sales Available for a one-day only ticket. No
guarantee one day tickets will be available for July 23rd and
24th.

ENTERTAINMENT: Up to 900 Musical Acts

CONTEST: Event goers will vote on their favorite band where the winner
will be awarded the title of best “Garage Band in America” as
well as win $5000.00. Second place will win $1000.00 and
third place will win $500.00.

ATTENDANCE: 8000-10000 per day

ST. LOUIS – DiMBy embarks on its newest musical venture, which will bring 900 Garage Bands and 10,000 people from around America to Camp Zoe, which is located in the Ozark Mountains, to compete for the title of the “Best Garage Band in America”, from 5pm Thursday July 21st until 11pm July 24th, Camp Zoe will host the first annual Garage Stock.

Interested bands will register online by March 15th and be voted on, via the Internet, by their fans, from April 1st – April 30th 2005. The top 900 bands with the most votes will win placement in Garage Stock 2005 and be announced on May 15th 2005.

Registration will be conducted through SonicBids.com and will require bands to sign up for a six month Sonic Bids account. Our partnership with Sonic Bids will save bands money, as well as offer each band the opportunity to build an online press kit to submit to various events around the world. A six-month membership with Sonic Bids is $29.95. Registration for Garage Stock is $20.00. Our partnership with Sonic Bids allows the bands to sign up with Sonic Bids as well as register for Garage Stock for $24.95 providing a savings of $25.00 per band.

Twenty PODS (www.pods.com) will be brought in to Camp Zoe as stages with bands aspiring to the semi-finalist rounds and then the finalists round where one band will be crowned “Best Garage Band In America” and receive $5000.00 Cash. Second place will win $1000.00 and third place will receive $500.00

Tickets for Garage Stock will run $60.00 Adv / $80.00 DOS for four days of camping plus entry in to all areas of Garage Stock.

Additionally, The United Exposition Carnival Company will offer rides and games during Garage Stock.

Missouri Bands will be showcased throughout the event in cabins around Camp Zoe. There will be a twenty-four hour open mic for anyone interested in stage time.

For detail information and or list of bands please visit www.GarageStock.com

Date and performers are subject to change without prior notification.

To get directions and a map as well as see photos from Camp Zoe, please visit http://www.campzoe.com

Indie Music Week Now Accepting Applications for Artist Showcases

Monday, January 31st, 2005

Indie_music_week_logo Indie Music Week is now accepting submissions for their exclusive artist showcases which will take place over two nights at Nashville’s legendary Douglas Corner Café. There are a limited number of showcase spots available to artists and bands. In order to be considered, a press kit and demo must be sent to DaCapo Music no later than February 21, 2005. To attend Indie Music Week 2005 or submit for an Artist Showcase, please visit IndieMusicWeek.org for information. Indie Music Week is offering a 50% discount for music industry students or artists that showcase. For more information about sponsoring Indie Music Week call 615-292-1337.
Later.

Jim Capaldi R.I.P.

Friday, January 28th, 2005

Some sad news to report as Jim Capaldi, the drummer for Traffic has passed away at the age of 60 from stomach cancer it was announced today. R.I.P. Jim.
Later.

Who’s Selling Out?

Friday, January 28th, 2005

It happens more often then you might like. You’re sprawled out on the couch watching some enjoyably mindless TV show when a commercial comes on for cat food or tampons or something and then it hits you "I know that song!" Yup, they have used "Whip It" by Devo to sell Swiffers and you don’t know if you want to toss your cookies or heave the TV set through the window. Well relax, it’s not all bad and sometimes the song you like actually works in the commercial (like that great bit for Target with the dueling drummers from The Donnas and Cheap Trick) but if you want to see who has sold out to the man by letting them use their music for TV commercials then you should check out Songtitle.info: Music from TV Commercials which is chock a block full of the details behind what commercial has used what song by which artist to sell what product. It also comes with song samples that you can listen to! Have a great weekend everybody!
Later.

Book buying suggestions from “the Professor”

Friday, January 28th, 2005

Neil_peart Since I just bought myself a new set of drums and have been reconnecting with some of the great bands that I grew up covering in my early bar band years I have been listening to and reading a lot about Rush since Neil Peart was one of my main drumming influences growing up (along with Stewart Copeland, Keith Moon, Ian Paice and a guy named Paul DeLong who used to drum for Kim Mitchell). Now I know Rush is one of those polarizing bands that you either love or loath but to me they were and still are a great band who have influenced a wide assortment of groups from all over the musical map. Bands like The Tragically Hip, Sloan, the Rheostatics, Dream Theater, Primus and the Barenaked Ladies have all been influenced and encouraged by listening to Rush and certainly Neil Peart has been the fave of countless rock and roll drummers since the band burst on the scene in the mid-seventies. Besides being a drummer and writer, Neil Peart is also quite an enthusiast of fine literature and at the end of 2004 he was quoted in the Canadian newspaper the Globe and Mail as to what books he enjoyed over the course of the year and this is what he had to say:

"Among many favourites this year, from John Barth’s The Book of Ten Nights and a Night : Eleven Stories to Bill Bryson’s A Short History of Nearly Everything , I would have to choose The Big Year : A Tale of Man, Nature, and Fowl Obsession by Mark Obmascik, a non-fiction tale of epic sweep and depth about a competition among, of all people, birdwatchers….A few others I can’t resist recommending: Louis Riel: A Comic-Strip Biography by Chester Brown, French Revolutions: Cycling the Tour de France by Tim Moore, The Inner Circle by T. C. Boyle and Middlemarch (Penguin Classics) by George Eliot." - Neil Peart, Toronto Globe and Mail, Dec. 24, 2004

This came courtesy of Power Windows, the premiere Rush fan site. I believe I will hit the local library and get reading.
Later.

David Bash’s Top Picks of 2004 Continued

Friday, January 28th, 2005

Today we continue our journey through the mind of David Bash of International Pop Overthrow fame and continue his list of the best 125 records of 2004. Here are 75-99:

75. Missile-Welcome To The End Of My Rope (Pop-e)

76. Chagall-SoundLight (Seven Thunders Music)

77. Stimulator-Stimulator (Stimulator)

78. Seth Swirsky-Instant Pleasure (Julian’s Dad/EMI)

79. The Telepathic Butterflies-Songs From A Second Wave (Rainbow Quartz)

80. Adam Marsland-You Don’t Know Me (Karma Frog)

81. The Shadow Kabinet-Hark! (Self-Released)

82. The Argument-Recess Serenade (Self-Released)

83. The Shimshaws-Subcutaneous (Suspect Pigeon)

84. Imaginary Bill-Breaking The Ground Loop (Sportin’)

85. The Superficials-Everybody’s Girl (Daylight Basement)

86. RockFour-Nationwide (Rainbow Quartz)

87. The Melismatics-New Infection (Susstones)

88. Brian Wilson-Gettin’ In Over My Head (Brimel/Rhino)

89. Mello Cads-Gentle Explosion (Manzoku Music)

90. The Contrast-Fade Back In (Rainbow Quartz)

91. The Shamus Twins-The Shamus Twins (Shamusongs)

92. Andrew -What’s It All About? (Avebury)

93. Steve Barton-Charm Offensive (Self-Released)

94. Suzy & Los Quattro- Suzy & Los Quattro (Wizzard In Vinyl)

95. The Monolith-Here Comes The Monolith (Fortune)

96. The Dollyrots-Eat My Heart Out (Panic Button)

97. The Queue-Fall Out (Self-Released)

98. Lund Bros.-Tangents (Self-Released)

99. Kenny Howes-Lady Friend (YEAH!)

Bonnaroo Fest shapes up

Friday, January 28th, 2005

Live Daily has the details of what is shaping up to be an interesting Bonnaroo Fest this June 10-12, 2005. More than 60 acts are scheduled to appear including Widespread Panic, the Dave Matthews Band, Modest Mouse and more. Tickets go on sale January 29th and it is a sure bet that they will sell out. Sounds both funky and fun.
Later.

Bomp! Records Founder Remembered With NYC Tribute Show

Friday, January 28th, 2005

Just a reminder for those in NYC this weekend, here are some more details of the Greg Shaw Tribute. On top of everything the emcee for the show is none other than "Mr. Nuggets" himself Lenny Kaye!

Saturday, January 29th
7:30pm - $10 (entire door
goes to Shaw’s widow and son)

Magnetic Field
97 Atlantic Avenue
Brooklyn, NY - 718.834.0069
http://magneticbrooklyn.com

FOR IMMEDIATE RELEASE:
GREG SHAW TRIBUTE/MEMORIAL SHOW
JANUARY 29TH - BROOKLYN, NY

Magnetic Field is proud and saddened to host an evening in memory of Greg Shaw, founder of the Bomp! record label, prolific writer, musical archivist/activist, and a collector among collectors. Greg’s energies and enthusiasms spanned four decades, touching and being shaped by the counterculture of the ’60s, the punk explosion in all its facets, and the rise and reign of garage revival through the ’80s and ’90s. He contributed to countless rock magazines, including "Fusion," "Creem" and his own "Mojo Navigator" and "Bomp!," advised Jann Wenner on starting "Rolling Stone," inspired scores of others to found their own magazines, and blew minds and ears with hundreds releases on his Bomp! and Voxx labels, not to mention compiling the truly legendary, and hugely influential, Pebbles compilation series.

His impact was immeasurable. He died this past October.

To celebrate Greg Shaw’s life and accomplishments, Magnetic Field presents a night of  performances by the Coffin Lids and Shaw ‘Nuff. The Coffin Lids were one of the last bands Greg signed to the Bomp! label and come out of Boston in a haze of smoked amps and electroshocked, Farfisa-driven rock’n'roll trash. The music is manic, frenetic, and entirely unrelenting.

Shaw ‘ Nuff is a one-shot NYC supergroup featuring Peter Stuart on bass, Kurt Reil on drums and vocals, Mike Fornatale on guitar and vocals, Michael Lynch on guitar and vocals, and Wendy Fornatale on keyboards. Each of these musicians is variously a veteran of, or enlisted in, groups like The Standells, Grip Weeds, Beau Brummels, Blues Magoos, The Monks, Moby Grape, Cavestomp Redcoats, Richard And The Young Lions, The Lynchpins, and Kelly Stoltz. They each wear their histories like a tailored coat.

To keep the evening’s levels in the red, DJs Ira Robbins, the founder of Trouser Press and editor of the Trouser Press Record Guides, and WFMU’s Evan Davies will spin prime selections from the Bomp! catalogue and all sorts of other music with appropriately strong blood ties. A special guest emcee is to-be- announced.

The night begins at 7:30 on January 29th. The door price will be $10, and all proceeds will be donated to Greg’s widow and son. Magnetic Field is located at 97 Atlantic Avenue, between Hicks and Henry Streets, in Brooklyn Heights. The phone # is 718-834-0069, website is www.magneticbrooklyn.com .

For further information, please contact Lee at 917-597-4918  or lee@magneticbrooklyn.com

WHFS is Back From the Dead and is Rock Radio dying?

Friday, January 28th, 2005

When WHFS changed to a Spanish language format last month, a lot of music fans were justifiably bummed out, but according to RAIN, WHFS will live on through AOL of all things as an Internet only radio station. The online stream "will continue the HFS tradition of new music, and will also feature archived programming from the station’s long history, as well as recorded performances from the live concert series staged by the station, HFStival." The Internet is changing the radio game and I think even XM and Sirius should be nervous. It’s about time something revitalized rock and roll radio. To further illustrate that point, RAIN points to a Washington Post article that highlights the fact that the audience for regular terrestrial rock radio has declined by 19% since 1999 yet ironically enough rock’s share of overall album sales has actually grown during the past five years from 15.1 % to 19.8% of total album sales. What are these rock fans listening to if not the radio you ask? Well it looks like satellite and Internet radio plus the iPod phenomena are siphoning away their audience and it’s hard not to see why. With such an abundance of choices now available to the rock and roll loving audience, why settle for the same cookie cutter crap on the FM dial? While the terrestrial broadcasters will no doubt fight back and while they will always have a place, they will increasingly be squeezed out in place of things like XM and Sirius, Live 365 and podcasts. We are living in a time of rock and roll radio plenty and if it’s got Clear Channel worried then this is definitely good thing.
Later.

DIY Convention Announces Speakers

Friday, January 28th, 2005

The DIY Convention has announced the various participants and speakers for the 2 day convention February 11-12, 2005 and there is some really interesting stuff that is going on. The keynotes will be presented by John Waite and Doug Gillard and these are some of the other speakers scheduled to take part:

Derek Sivers, CDBaby; East Bay Ray, Dead Kennedys; Kevin Lyman, Warped Tour founder; Travis Kalanick, Red Swoosh; Tim Mitchell, IODA; Tess Taylor, NARIP; James Leach, SESAC; Mike Todd, ASCAP; Ray Yee, BMI; Noel Ramos, IndieGate.com; Dave Neupert, M80 Interactive Marketing; Mitchell Frank, Spaceland Productions; Daryl Stuermer, Genesis; Stephen Ferrone, Average White Band; Sean Suhl, Suicide Girls; Raymond Roker, URB; John Anderson, Windswept Pacific; Julie Hermelin, director, "Final Sale"; Cybele Pettus, Electronic Arts; Mara Schwartz, Bug Music; Dave Markey, director, "Desperate Teenage Lovedolls"; Jamie Chvotkin, FilmBaby; Anita Rivas, attorney; Blaze James, manager, Coheed and Cambria/TSOL; Nick Bogardus, manager, Rubio/Thrice; Kashif, recording artist; Daniel House, Tsunami Entertainment; Todd Clifford, Sea Level Records; Norman Hollyn, author/director; Greg Ross, Go Kart Records; Don Rey, manager; Rahsaan Patterson, artist; Leon Ware, songwriter; Marlon McClain, manager, Mint Condition; Ron Voss, branding/marketing expert.

All in all the whole event sounds like it could be quite worthwhile so if you could get yourself to LA you might want to check it out, and report back to The Rock and Roll Report on how it went!
Later.

Are you ready for podcasts?

Thursday, January 27th, 2005

The newest buzz word on the Internet these days is podcasting which are simply MP3 programs that you can download to your iPod or other MP3 player and listen to at your leisure. The cool thing about it is that the people producing the podcasts are for the most part not professional broadcasters. If you are curious at all about this phenomena or are looking for something a little different to listen to, your first step should be to download and install the iPodder software (available for Windows, Mac and Linux machines). Then check out these sites for some interesting music podcasts to listen to:

That should be enough to get you started. The Rock and Roll Report plans to jump into the podcasting pool sometime this year but until then check out the podcast directories and explore! Radio has never been this fun in a long time! (Updated to include the AMP directory)
Later.

David Bash’s Best of 2004

Thursday, January 27th, 2005

When I asked David Bash, the rock and roll guru behind the always excellent International Pop Overthrow festivals what his favourite records of 2004 were, I expected a list of perhaps 10, maybe 15 but at most 20 records. What he sent me was 125 records and he had a hard time stopping there! On top of that he tossed in his top 10 EPs, single and multi-artist compilations, soundtracks, tribute discs, and stuff that already floats his boat from 2005! Because David has impeccable taste and because it’s not like we don’t actually have to buy food this week but instead plan on spending it all on records, I have reproduced here his top 125 albums spread out over five or six days. Today we look at albums 100-125. Without further ado, take it away David:

Favorite Albums of 2004
Contemporary Categories I.
Top 125 Albums:
I could extend this list at least by another 75 and still say that I thought every album on the list was a good one, but it had gotten to the point where I had a difficult time distinguishing between 126-200, let alone between 126-127… With all the albums I did rate, God knows I’ve probably still missed a few from my collection that should be here.  Oh well, without further ado.

100. Dolour-New Old Friends (Made In Mexico)
101. Dada-How To Be Found (Blue Cave)
102. The Channel-The Channel (C-Side)
103. The RBIs-The RBIs (Crazy Creek)
104. Carrots- All It Takes Is A Little Confidence! (Grabaciones En El Mar)
105. Gingersol-Eastern (Idea Prone)
106. Brainpool-Junk: A Rock Opera (Junk Musik)
107. The Shivers-Move All You Wanna (Self-Released)
108. Rock E. Rollins-The Post Modern Adventures Of 21st Century Rock N Roll Boy (Self-Released)
109. Keane-Hopes And Fears (Interscope)
110. Crazy Moon Plan-Crazy Moon Plan (Self-Released)
111. Elliott Smith-From A Basement On The Hill (Anti)
112. Mark Lane-Golden State Of Mind (Orange Deuce)
113. The Jellybricks-Power This (Kool Kat)
114. The Owsley Sunshine-Another Kind Of Summer (Start A Riot)
115. The Daytraders-The Daytraders (20/20)
116. The Sight Seers-Now We’re In The Sun (Pear Innel/Morphius)
117. The Mumbles-Huh?! (Colorado Music)
118. Tan Sleeve-Bad From Both Sides (Bus Stop)
119. Guided By Voices-Half Smiles Of The Decomposed (Matador)
120. The Loves-Love (The Track & Field Organisation)
121. Farrah-Me Too (Rock Indiana)
122. Gingersol-Eastern (Idea Prone)
123. Velvet Crush-Stereo Blues (Action Musik)
124. Deluxe Leisure King-15 Minutes Of Shame (Self-Released)
125. The Porcupines-Eeenie Meenie Meinee Mojo! (Maize)

Tomorrow we check out numbers 75-100.
Later.

The Gridiron Stadium Network. Bring Your Binoculars.

Thursday, January 27th, 2005

According to the Reuters article Football Stadiums Set to Host Rock Concerts, a number of American football stadiums have formed a network to better help them attract the lucrative rock concert business. I like a good stadium show every once in awhile but really, binoculars should not be a required piece of your concert going accessories. Real rock and roll will always stick to the clubs with the odd foray into theatres being mildly tolerated by all.
Later.

Sirius and XM satellite radio may merge

Thursday, January 27th, 2005

According to the story Sirius and XM may merge, report says the two satellite radio providers are discussing the possibility of a merger. On the one hand I think that this is a good thing so you won’t have to buy two seperate recievers to get your Bob Edwards and Little Steven fixes but on the other hand competition is good for the end product. Should be interesting how it all shakes down.
Later.

Peter Noone Takes Out the Trash

Thursday, January 27th, 2005

Hermans_hermits According to a January 26th article in the Des Moines Register, singer Peter Noone of Herman’ Hermits fame has admitted to smashing a picture frame at a local music venue and tossing the photo it held into the trash.  Noone says he did so because it was a publicity photo for a band that performs as Herman’s Hermits and which is led by their original drummer. The incident, which was recorded by a security camera, occurred when Noone was performing a New Year’s Eve show at the historic Val-Air Ballroom in West Des Moines, Iowa.   Apparently, Noone was upset because he and the other band have been involved in legal disputes over who owns the rights to the Herman’s Hermits name.

For his part, Noone is unrepentant and was somewhat amused when told by reporters that the venue’s management had reported the incident to the police. Claiming that he has never been in trouble with the law, he’s quoted as joking, "It’s not the stuff rebels are made of…I can understand if it was Roy Orbison or some valuable picture, but it had zero value."   He added, "They had a picture that was advertising Herman’s Hermits, but it wasn’t a picture of me.  It was another band out there called Herman’s Hermits starring Barry Whitwam."  While Noone’s actions are classified as criminal mischief, no charges have been filed so far, and Noone has offered to pay for the broken picture frame and to donate a gold album to the Val-Air Ballroom for its Wall of Fame.  The article didn’t mention if the Val-Air’s management is willing to accept his offer, but it seems like it would be hard to turn down.

Newly added from CD Baby: Mark Lane- Golden State of Mind

Thursday, January 27th, 2005
MARK LANE: Golden State Of Mind MARK LANE: Golden State Of Mind

Melodic, poetic & original. A modern sound fusing hints of classic West-Coast flavored rock and pop stylings and impressionistic soundscapes, this multi-layered opus is bold, eclectic, challenging, and timeless. "Refreshingly well crafted."-Van Dyke Parks

Buy the CD

Rock out with your Garageband software!

Wednesday, January 26th, 2005

If you are a user of Apple’s Garageband software and you are looking for some cool ’70s style loops then you might want to check out the review Rock for Garageband- A Review over at My Mac.com. Sounds amazing.
Later.

So You Wanna be a VJ?

Wednesday, January 26th, 2005

I got this from Fuse TV. Think you got what it takes?

Fuse is looking for a few good VJs to join Steven, Juliya, Marianela and Dylan in the best job you could ever have. Love music? Want to get paid to interview celebrities and watch your favorite artists perform in our studio? If you are 21 or older and submit your materials correctly you may have a chance to become the next Fuse VJ. It’s as easy as 1-2-3! Check out the promo (Real, Windows Media) to get you in the mood.
Later.

A “Best of 2004″ list with a Difference

Wednesday, January 26th, 2005

I was looking at the most recent issues of two of my favourite music magazines, Harp and Magnet and was planning on posting their "best of 2004" lists but started to thinking that they were kind of similar and I wanted to move on from the stereotypical "indie rock" type stuff and feature something a bit different. Well Frank Realitos of No One Here is Asking has come up with a fine Best of 2004 that is not only different but has a satisfying hard musical crunch. A treat for the ears and a great read for those of us who have yet to say goodbye to 2004. Read and buy. I’ll get to posting the Harp and Magnet lists soon.
Later.

Independent Music Companies Unite In Worldwide Coalition

Wednesday, January 26th, 2005

This in my opinion is a great idea. According to the press release Independent Music Companies Unite In Worldwide Coalition a regular who’s who of independent record labels and other indie rock organizations have united in a global coalition "to leverage the global collective strength of the independents." In the continuing battle of mind and marketshare with the "Big 4" (or is that 3 now?) major labels, the indies are wise to unite to better take the majors on. My only concern is that the various members of the coalition ensure that not just the "major" indie rock labels are involved but also those vital one and two person operations that fly the indie rock flag high. This should be a group that includes all indie rock labels regardless of size or sales as they are all really in it for the same thing, the music. More information can be found on the IMPALA website. I have included the full press release for your convenience.

Independent music companies unite in worldwide coalition

Midem, January 24th 2005, leading independent companies and associations from across the globe have launched a worldwide music coalition to leverage the global collective strength of the independents.

The unanimous decision was taken at an international meeting hosted by the IMPALA board, attended by over 100 independent sector leaders. This was the first ever meeting of the global independent music industry which has been characterized recently by the rapid establishment of powerful independent associations around the world. The Coalition is a response to this movement.

The Coalition members will pool experiences and share expertise to develop an action plan to empower themselves globally. It will deliver an international strategy to deal with the common commercial, political and cultural issues affecting all independents. Work will begin immediately and the Coalition will meet again in May to discuss progress, agree priorities and deliver a proposal for implementing the action plan.

The Coalition consists of all the current associations representing thousands of independent music companies from Australia (AIR) to the UK (AIM), Brazil (ABMI) to the USA (AAIM), Spain (UFI) to New Zealand (IMNZ), Canada (CIRPA) to the EU (IMPALA and its member associations in France, Spain, Sweden, Norway, Denmark, Germany and the UK). Any independent association is free to join.

The end game is to grow the independents’ market share, improve visibility of independent music and artists, and promote key issues such as market access and cultural diversity in all national, regional and international policies.

Alison Wenham, Impala Vice President and Chair and Chief Executive of AIM, said: “The MTV and I-Tunes negotiations are just two examples of what we can achieve when we act collectively. The Coalition’s action plan will make a radical difference by giving independents all over the world access to these benefits and put them on a level playing field.

Brian Chater, President of CIRPA, Canadian Independent Record Producers Association, Canada, added: “The international agenda of the music business has been dominated by four multinationals. The independents priorities get ignored. Without separate associations, governments never hear that the priority issues for their national companies are very different and very real, from market access, concentration, access to finance through to the unraveling of collective licensing. Co-ordination at international level is vital.

Patrick Zelnik, Impala Vice President and President of Naïve, added: “This is about market access, diversity and consumer choice. Our issues are identical. We need positive discrimination. If we pull together we can co-ordinate an effective agenda that we control as we are doing through IMPALA to protest against Sony/BMG. It is scandalous that Europe, which is responsible for regulating the market and promoting cultural diversity, has not understood that concentration kills diversity. The Coalition’s task is to work out how to help governments make economic interests serve culture.

David Vodicka, CEO of AIR, Association of Independent Record Labels, Australia, said: “We are the market leaders in terms of innovation and diversity. This is being stifled all over the world through concentration of radio, TV, and on-line, to the detriment of artists, consumers and national cultures. The Coalition’s job is to come up with a blueprint to help independents worldwide overcome the tyranny of business.

Lesley Bleakley, Chair of AAIM, Association of American Independent Music, USA added: “The American independents are forming their own association because we see it as a commercial necessity. It is vital that we contribute to the Coalition. We need to help mould the international action plan and multiply the membership benefits of our own association. We also need it to send a different message to the US administration about what our international priorities should be.

Pena Schmidt, President of ABMI said: “All over the world independent associations are being formed at the same time and for the same reasons. The Coalition’s action plan will help all territories take back control of their national music business. It will overcome isolation and provide the organisational, commercial and political tools independent associations need to operate effectively nationally, regionally and internationally.

End

For further queries, contact Helen Smith, Deputy Secretary General, IMPALA, 00 32 473949205 hsmith@kernnet.com www.impalasite.org and Alison Wenham, Impala Vice President and Chair and Chief Executive of AIM, alison@musicindie.com, www.musicindie.com 00 44 7714894067.

End

Coalition founder members:

IMPALA
AAIM,
USA
AIM,
UK
AIR,
Australia
ABMI,
Brazi
CIRPA,
Canada
DUP,
Denmark
FONO,
Norway
IMNZ,
New Zealand
UFI,
Spain
UPFI,
France
VUT,
Germany
SOM,
Sweden


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