Archive for October, 2003

Friday Fun! Let’s Go Out To The Lobby, Let’s Go Out To The Lobby, Let’s Go Out To The Lobby and Get Ourselves A Treat!

Friday, October 31st, 2003

In honour of the weekend, check out Drive-Ins for a really cool site dedicated to the sadly disappearing phenomena of the local Drive In. I love going to see movies at the local googleplex but there is just something very rock and roll about seeing a movie at a drive in that you cannot deny. Cool but sad. Have a great Halloween and weekend everybody!
Later.

The Latest Issue of Perfect Sound Forever Is Out

Friday, October 31st, 2003

The November/December issue of Perfect Sound Forever is out. A really excellent music e-zine that should not be missed. Check it out.
Later.

Garage Rock in the Montreal Gazette

Friday, October 31st, 2003

Just a quick heads up to check out the Saturday, November 1st issue of the Montreal Gazette for a feature on “Garage Rock.” There will be interviews with Little Steven, The High Dials, the head honcho from Rainbow Quartz records, Montreal band The Cains and the incomperable Mimi la Twisteuse! If you can’t pick up the paper try the link above to see if it’s online. Thanks Mimi!
Later.

International Pop Overthrow East Coast

Friday, October 31st, 2003

Just to remind everyone in the Baltimore region that the International Pop Overthrow East Coast started last night and then moves on to conquer the Philadelphia, New York and Boston regions until the 3rd week in November. This whole organization is very impressive and their shows and selection of bands looks top notch. My only question is: “When are you coming to Canada?”
Later.

I’m Getting On This Jet

Friday, October 31st, 2003

Ok, I’m officially jumping on the Jet bandwagon since I think these Aussies are great. Forget about all the “these guys are what real rock and roll is all about” and the “merely a rehash of Sticky Fingers era Stones” (or AC/DC or Oasis or whatever) comments and just buy this album. It is a fun rock and roll ride from beginning to end. Recommended.
Later.

Is Radio Still Relevant?

Thursday, October 30th, 2003

Is radio still relevant? That’s the question posed by Who Needs Radio Anymore? over at MSNBC. I personally feel that if the whole object is to “create” the next Kelly Clarkson then I suppose radio is not relevant to me. On the other hand, as I have been documenting on The Rock and Roll Report there is plenty of cool radio out there that is certainly relevant to a lot of people. Granted we might only be a niche but with the technology today, somebody can broadcast nothing but polka music globally and they would probably find an audience willing to listen. Radio will never be as powerful as it was but then again, 10 years ago I couldn’t listen to a station like WFMU on my computer. I’ll take that over American Idol anyday.
Later.

Radio Station of the Week: KEXP 90.3 FM Seattle, USA

Wednesday, October 29th, 2003

I first heard about KEXP FM out of Seattle after reading Bland Band and I thought I’d give them a try and once again, another radio station, another breath of fresh air. Really great stuff particularly John in the Morning which, because I’m in Montreal I don’t listen to nearly as much as I’d like. Fun, eclectic radio. Not all rock ‘n roll mind you but widening your sonic palet shouldn’t be something to fear, especially when you rely on stations like KEXP. And if you’re a real techhead they feature all kinds of cool technology that makes listening over the ‘Net a pleasure. A real treat.
Later.

Does Familiarity Breed Contempt?

Wednesday, October 29th, 2003

On my way home tonight the local rock station was playing Shoot To Thrill by AC/DC and as I sang along I started to think of what I have heard people utter in the past about AC/DC’s lack of “musical progression” and “growth.” One would think that it is a given that banging out the same old schtick night after night must be boring in the extreme but is that neccessarily so with all bands? Could it be possible that some bands like the fact that they play the same style of music and don’t want to change for the sake of change? AC/DC have made no bones about the fact that they are a simple, hard rock outfit, nothing more, nothing less. Anything more to them smacks of artificiality. As a fan, with some bands I want to hear something different every album (within reason to me) but I don’t go along with those people that crucify a band for a lack of “maturity.” To me, I don’t want a band like AC/DC to change. When I hear them I don’t want Radiohead or Peter Gabriel, I want Thunderstruck, or something that sounds kinda like it. Is that so wrong? Sometimes when you have to think too much about rock ‘n roll it’s magical effect is lost. Sometimes you have to be less of a critic and more of a fan. Sometimes you just have to listen and smile. It certainly is more fun.
Later.

Record Label of the Week: Alive-Total Energy Records

Tuesday, October 28th, 2003

The record label spotlight this week was inspired by listening to Little Steven last Sunday night. He played a tune by Big Midnight which I thought was quite cool and he mentioned that they are on Alive-Total Energy Records. Now I knew that label sounded familiar and then it dawned on me that they are affiliated with Bomp Records so I surfed over to their site and quickly downloaded 4 tracks from Boyskout, Hotwire Titans and The Holy Kiss in addition to Big Midnight which are all featured on The Sound of San Francisco, a compilation of cool bands from the Bay area. Alive has a lot of cool stuff to offer including The Black Keys and The Streetwalkin Cheetahs so I would hustle over to their site, download a couple of MP3s for an appetizer and then dig in and order a couple of records for the main course. It’s all high quality rock ‘n roll guaranteed to thrill!
Later.

Attention All Garage Band Collectors

Tuesday, October 28th, 2003

If you like record collecting and love obscure garage bands of the ’60s then the 1000 rarest USA ’60s Garage 45’s according to legend is the site for you. Very cool site to explore even if you’re not a record collector. A work in progress.
Later.

Sometimes the Snow Melts Too Soon

Monday, October 27th, 2003

Canada, like every other country that spits out tons of cool rock and roll, has a huge amount of criminally neglected rock and roll bands that haunt it’s past. Now this shouldn’t seem at all unusual since rock and roll has a rich and varied history of one hit wonders and bands that got tantalizingly close to the flame of success but then crashed and burned. I thought about this one morning last week on my way to work while blasting away a greatest hits anthology by The Northern Pikes. Never heard of ‘em? Well if you don’t live in Canada that’s not surprising but even within this country a great band like this tends to be forgotten by most and only remembered by few. Bands like The Northern Pikes have followed the same sad tradition of other great Canadian “could have been a contenda” bands if only record label politics, poor support and promotion or interband strife hadn’t struck them down in their prime (although the Northern Pikes story has a happy postscript). Now, my list is endless and I’ll highlight only a few bands here but to me it really started with Max Webster.
Ugly stepchild to Rush, Max Webster from Sarnia, Ontario to me had a kind of Captain Beefheart/Mothers of Invention vibe to them yet were more accessible and fun. Led by Kim Mitchell and writing partner Pye Dubois, Max Webster were huge in Ontario, quite popular in the rest of Canada, and a cult band (with all the negative aspects that entails) in places like Britain, Germany and the U.S. When the frustration of a lack of record label support combined with band tensions hit their peak, Kim Mitchell pulled the plug on them in the middle of a tour support slot opening for Rush. Mitchell went on to greater success as a solo artist (Go For Soda was on Miami Vice that barometer of ’80s cool for cryin’ out loud!) yet outside of Canada he is pretty much non-existent and his output and tour schedule have dropped considerably in recent years. Hard to pick a favourite Max Webster or Kim Mitchell album so I’ll cop out and recommend their Best of Max Webster featuring Kim Mitchell (which features both their collaboration with Rush, Battlescar and a cut from Kim’s first solo record Kids in Action) and Akimbo Alogo for starters.
The Northern Pikes formed in Saskatoon, Saskatchewan in 1984 and originally bowed out in 1993 but they left a great legacy of really great pop/rock tunes that I have been humming in my head all week. Your typical indie rock band made good, the Northern Pikes hit their stride with the hugely popular and quite excellent album Snow In June
in the early ‘90s and seemed ready to hit the big time when they kind of sputtered and died after their follow up album Neptune didn’t quite live up to it’s predecessor. Their greatest hits Hits & Assorted Secrets: 1984-1993 is the CD I have been listening to all week and is an excellent introduction to this band, ‘80s production gloss notwithstanding. They are back at it and ready to give it another kick at the can with a new album called It’s a Good Life so catch them on tour if you can!
I was a huge Grapes of Wrath fan in their prime and still think these guys had it all. Catchy, hook laden tunes, great chiming vocals and impeccable musicianship made this one of those bands that you loved to see live just so you could sing along at the top of your lungs to song after song after song. If you are looking for a rockin’ pop band in the Beatles mold, none did it finer than Kelowna, BC’s The Grapes of Wrath. Led by close friends, bitter enemies, close friends and now just friends Tom Hooper and Kevin Kane, the Grapes of Wrath were another indie rock band signed to the record label of their heros EMI with a hugely promising future. I think what ultimately doomed them were unrealistic expectations in that everybody started to expect them to be the next Beatles. To say the least, this is a tad bit of a burden to bear but they produced some incredibly great songs in their approximately 10 year existence. Their last group album before Hooper and Kane reunited briefly was These Days which was even mixed at Abbey Road studios and their single off that album I Am Here certainly sounded like something that might have just come off of Revolver so the pressure was on. When Hooper and Kane reunited briefly in 2000 and released Field Trip they even included a bonus EP (Extended Field Trip) of covers with a very cool rendition of their hit All The Things I Wasn’t done Tomorrow Never Knows style so it’s not like they were denying the connection. Although you can go the infamous “greatest hits, B sides and alternate takes” route with Seems Like Fate (1984-1992) you should also pick up they’re first “big” album Now & Again as well.
Songs by The Pursuit of Happiness are the epitome of the hard pop nugget. Relentlessly catchy, great lyrics by one of the coolest dudes in Toronto, Moe Berg, The Pursuit of Happiness had me hooked with their single I’m an Adult Now (”I can’t take any more illicit drugs. I can’t afford any artificial joy. I’d sure look like a fool dead in a ditch somewhere. With a mind full of chemicals. Like some cheese-eating high school boy.”). Start with Love Junk and One Sided Story and get ready to smile as this is a perfect example of a band that could have, should have made a bigger splash. They also have a greatest hits available called Sex & Food: The Best Of The Pursuit Of Happiness. I think they have performed a couple of one-offs in the past but for all extents and purposes they are done as a band. Moe Berg has gone off to write some books and two members of the band had split off to form the excellent Universal Honey, another sadly overlooked gem of a band who play one of my all time favourite singles Upfront With You featured on their first album Magic Basement.
I first became of aware of The Odds when I heard Eat My Brain and I instantly perked up and thought “Who the hell is this?” You know that feeling when you hear a song and you immediately are on the hunt for more info on a band that you know you already like even though you’ve only heard one song? That for me happened with The Odds. After seeing them open for The Tragically Hip on their Day for Night tour they just confirmed what I had discovered on my own, they are (were unfortunately) a great band. Funny yet with a great sense of “pop” sensibilities, The Odds deserved a better fate then what they got. Start with Good Weird Feeling and check out Nest for a tasty follow up. You can also go the “Greates Hits” route with Singles: Individually Wrapped which is a worthy addition, especially Heterosexual Man but as with many of my favourite bands I allways recommend trying to buy all the albums to get the full effect. These guys weren’t odd at all, just great rock and roll.
Finally I bring to you Coney Hatch. Their first album was produced by Kim Mitchell and featured the great track Monkey Bars, a song that one of my high school rock bands blasted away at at every opportunity. Great band name, cool hard rock without excuses, pick up their greatest hits CD Best of Three and turn up the stereo (that’s right stereo. I long for the days of cool, blue led flashing stereos with 4 foot high speaker columns but I digress) LOUD.
And Canada is not alone. This is just a very brief sampling. I could rhyme off a list of bands from the US and Europe that could have “made it” and should have made it but didn’t. The list is unfortunately endless. Everybody has a list of bands that they think should have made it or that they think they were the only ones who really “got” that band. These are a couple of mine, let me know some of yours.
Later.

Downhill Battle Update: Is iTunes Fair to Artists?

Monday, October 27th, 2003

Is iTunes fair to artists? No according to Downhill Battle who feel that iTunes is in fact ripping off artists according to Victory! Apple gives in. Slightly. I think I better apply my lawyerly thinking cap to some of these claims and see what’s up. Comments greatly encouraged on this as I am eagerly awaiting iTunes to come to Canada and think that it is a Good Thing. I think.
Later.

So You Want To Be a Rock and Roll Star? Using Technology To Get Ahead

Monday, October 27th, 2003

Over at Wired there is an excellent article on how indie rock musicians can use technology to grow their music and they use the example of Magantunes (a label which I have posted about in the past) as an example of the possibilities. Entitled Music Label Cashes In On Sharing it makes for an interesting read and think piece. Check it out now!
Later.

Does That Cool Independent Record Store Down The Street Have A Future?

Friday, October 24th, 2003

In the rush of excitement that followed the explosion of music downloading in the wake of the original Napster and Kazaa, and then the birth of legal services like iTunes and the rest, we sometimes fail to take into account the toll this has all had on record stores (yah I realize that they sell CDs but I call them record stores out of habit and choice). My geek instincts positively revel at the thought of being able to download all kinds of music, legally, from the comfort of my home computer, especially of those indie rock bands that are hard to find these days and even The Rock and Roll Report has become an Amazon affiliate. And I’m not denying the laziness factor inherent in all of this but will this be the final nail in the coffin of the struggling indie rock record store? According to the Philadelphia Inquirer article Downloading Music a Blow to Retailers this could very well be the result. Now I am not so concerned with the Wallmarts or other big box retailers so much as the cool independent record stores that are still vital to the kinds of bands that I, and a large number of people, like and want to support. Have you even been to a record store lately? I gotta admit that I don’t go as often as I should and even then it’s to a place like Future Shop for heaven’s sake! Walking into a funky little record store is so much fun because of the sense of musical adventure that permeates the place. Posters featuring bands you’ve never heard of. Racks upon racks of cool looking CDs that you won’t see anywhere else. And the people. The people that work there are a veritable encyclopedia of cool rock and roll (or hip hop, electronica, dance whatever turns your crank) that are absolutely fascinating to talk to. Even the other shoppers are fun to kibbutz with. But most of all, small indie rock record stores are run by people that live and breath music. How refreshing compared to dealing with Gladys at the local Wallmart who was transferred from housewares just last week. We can’t turn back the clock and pretend that music downloading isn’t here to stay because it is, but we do have the power to take a bus ride over to our local cool record store and pick up a couple of CDs maybe once or twice a month. You’d be amazed at the value human contact adds to the whole music buying experience, something you definitely can’t get in front of any computer that I know of. Go to Record Store Review and then go shopping this weekend. Your local record store could certainly use the business and you will have a heck of a lot of fun once you get there. Try and download that!
Later.

The Right Side Of Weird: Tiki Madness

Friday, October 24th, 2003

Aloha everybody. Welcome to this week’s exotic episode of The Right Side of Weird. Today we enter the cool, exotic world of Tiki so grab your Mai Tai and keep up with the group! The first thing to do is tune into a radio station like Tiki Zine Radio to put you in the mood. Perhaps a Polynesian cocktail would help as well? Tiki culture (or Tiki/Polynesian Pop as some people call it) simplistically put is the collection and enjoyment of those things inspired by those Polynesian bars and restaurants like Trader Vics that were extremely popular from about the late ‘40s to the early ‘70s. In Montreal we had the Kon Tiki which was an extremely tacky and therefore very cool restaurant that featured a waterfall when you walked in and a bridge that you used to cross over a little stream with tons of Koi fish. It was always darkly lit with tons of bamboo and I thought it was the coolest thing this side of the Polynesian Resort at Walt Disney World (hey I was like 14 when this place closed!). Enthusiasts enjoy the cocktails, all kinds of home furnishings and décor, clothing and best of all the music. Space age, bachelor party, atomic lounge exotica, call it what you will the music is in my mind very cool and hip. I couldn’t listen to this everyday mind you but when you’re in the mood it is definitely fun. Start your journey at The Tiki Zone, The Tiki Room and Konakai. You can get all the latest news on Tiki News. Then hop over to Space Age Pop for your funky musical fix and relax, listen to the waves and the Hawaiian guitar melt into each other while you float off to another, better world. Then wake up and go to work! If this stuff really appeals to you pick up The Book of Tiki. The Cult of Polynesian Pop in Fifties America at Amazon and help support this site. Thanks.
Aloha.

Legal Music Site Survey

Friday, October 24th, 2003

Walter S. Mossberg has a review of the current big 3 legal download services: Napster 2.0, Musicmatch and iTunes. His conclusion? At the current time, iTunes is the champ for both Windows machines and Macs. Since I’m based in Canada and can’t use anything but Puretracks (yet) let me know what kind of experiences you’ve been having and what you feel theses services are missing. Maybe we can put together a review of our own.
Later.

Stand By Your Band

Thursday, October 23rd, 2003

I have made no secret for my love of the Canadian band Rush. I’ll be the first to admit that they are not everybody’s cup of tea but I grew up listening to them and after putting them off to the side for quite a few years I started to get re-aquainted with them after they released their album Counterparts. I’ve been enjoying them again ever since. The funny thing is I like it when people diss Rush since it always makes me laugh. People are usually so upset when they are trashing the band you’d think they were talking about some anti-establishment punk band, or that guy from American Idol. A perfect example is in the September issue of Mojo (with The Strokes on the cover). Some guy from Cambridge, England was moaning in the letters section about Rush with comments like “…a band so bloated and self-important that they have released four (count ‘em!) double (or worse!) live albums- all of which sound exactly the same as their studio counterparts; all of which display no musical improvisation; all of which fail to convey the intimacy and warmth some of us seek from the live experience; all of which are therefore utterly pointless.” Woah. After reading this the first thing that came to my mind was “how did this guy know that they had four live albums and that they sounded like their studio albums?” I mean, I’m not debating the issue. Quite frankly a Rush concert has been allways more of an audio-visual sense-surround kind of experience and not a show designed for complete re-workings of songs that you liked the way they were recorded the first time (although they did do more improvisational stuff like an acoustic version of Resist the last tour that was great). An arena rock show does not allways breed much of a sense of intimacy but I can tell you one thing, every single person leaving a Rush show has one hell of a smile on their face as they chatter away at what an amazing experience it was. And God love ‘em they are at it again. They have released an amazing double DVD called Rush in Rio as well as a, get this TRIPLE LIVE CD! What the hell were they thinking? Do they think this is 1976 or what? After reading this review you’ll be happy to know that it is great. I’m not asking you to love Rush. I’m not begging you to buy their latest live opus. I’m just asking for a bit of understanding. You don’t know what you’re missing. But that’s allright ’cause rock and roll is bigger than Rush, bigger than The Strokes and bigger than U2. Just when I’m getting garage rocked out, along comes a complete left turn to rejuvenate me. Thank you Rush. Thank you rock and roll. Now where’s my copy of Test for Echo?
Later.

So How Do Yo Really Feel About Clear Channel?

Thursday, October 23rd, 2003

I just came across an interesting site and just by it’s name Clear Channel Sucks I think you can guess where they stand! I am not a big fan of this company. I personally don’t feel that they are good for music fans and this site certainly reinforces that view. Check it out, do your research and come to your own conclusions. Ok?
Later.

The Bottom Line Is Still Not Out Of The Woods

Wednesday, October 22nd, 2003

The legendary Bottom Line club in New York City is still not safe from closing acording to Jeff Lang of Save The Bottom Line. Despite support from people like Bruce Springsteen, The Bottom Line has still not signed a lease with NYU and the owners are due back in court this Thursday. If you care about rock and roll and want to help preserve rock and roll history and maybe contribute to some today, sign the petition and help save this legendary club. And if any of you reading happen to be NYU alumni (hey, it’s allways possible), your support is particularly vital and you can sign a special NYU alumni pettion here. Make it happen people.
Later.

What’s The Point Of This Blog Revisited

Wednesday, October 22nd, 2003

Why did I decide to start yet another music blog since there are so many out there already? Well the answer is quite simple. There are so many cool blogs, magazines, websites, bands, record labels and radio shows and stations out there that I was constantly frustrated trying to maintain my ever growing list of bookmarks which inevitably meant that I was doing more organizing of my computer than reading and listening to the cool rock and roll that I was finding on the ‘Net. Originally I wanted to set up some kind of an online directory but it was too complicated and kinda boring. Then I discovered blogging and like a lot of people I was hooked. And so The Rock and Roll Report was born.

The original blog was started on Blogger on June 29th, 2003 and all the posts from it have been imported here. As you can see from a scan of these posts, I have used The Rock and Roll Report as a forum to highlight record labels, radio shows, magazines, web sites, local rock and roll scenes from all over the world and bands that I consider to be worthy of note, who define for me what rock and roll is and what it can be as well as penning the odd opinion piece or rock and roll related story about something that piques my rock and roll curiosity. Now, my interests are pretty varied and I enjoy my rock and roll in a wide variety of “sub-genres” such as garage punk, psychedelic, power pop, mod, freak beat, modern rock, classic rock, ‘60s pop, indie pop etc. but since I hate classifying music, I just lump it all together as rock and roll (or as I have recently started to call it “niche-free rock and roll), as well as it should be. And my “vision” of rock and roll does not end or begin in any particular decade or place, far from it as I feel that some of the best music ever played is being played right now and I’ll probably say the same thing in 5 years (unless I’ve become a cool jazz hep cat daddy-o). As has been pointed out by some prominent rock and rollers like Greg Shaw, Lenny Kaye, Peter Buck, Little Steven and Keith Richards, the whole point of rock and roll has always been to take from multiple influences and synthesize them into something new and exciting and so The Rock and Roll Report attempts to further the cause. I consider myself to be something of a (minor) cheerleader for these bands, labels and magazines that are often struggling to put out great big slabs of meaty rock and roll grooviness for your listening and reading enjoyment and so this is my primary goal in creating The Rock and Roll Report.

Secondary to that but of no less importance is to encourage you to wave your freak flag high and jump on the magic bus of rock and roll weirdness. Whether it’s starting a band, radio station, web site or magazine or just using your hard earned bucks to support some of these maniacs I write about, you not only open yourself up to a wider and funner (is that a word?) world but you encourage others in this great rock and roll ecosystem to keep going and pump out even more cool sounds and hip words. To that end I plan on posting about various tools and sources of info that will help you to do just that.

Finally, I have to point out some of the shitty stuff. Corporate control of record labels, the increase in media concentration, lack of radio diversity, Kelly Osbourne (just kidding) and other stuff that we would like to ignore but can’t but I promise that it won’t overwhelm the good stuff (and if it does just let me know) but it is an unfortunate fact of rock and roll life.

In closing, The Rock and Roll Report will hopefully not just be me yapping. It will evolve and change and I welcome contributions of any kind. Hints, tips, links, criticisms (not too much tho) and recommendations are all welcome please, since I need to know, in the words of the immortal (but sadly Sid Barret-less) Pink Floyd “Is there anybody out there?” Thanks for visiting.
Later.

The Right Side of Weird: My Porn Name

Friday, October 17th, 2003

Did ya ever wonder what your name would be if you were a porn star? Well wonder no more as My Porn Name comes to the rescue. Try it out, you may be the next Buck Naked!
Later.

Canadian Downloading Fun

Thursday, October 16th, 2003

Alright all you fellow Canucks, check out Puretracks for your opportunity to jump on the downloading bandwagon. It’s nice to see a service with Sloan, Sam Roberts and Big Sugar all in the top 10! Cool.
Later.

The Wait Is Over, iTunes For Windows Is Here!

Thursday, October 16th, 2003

Get it while it’s hot. Apple has finally released iTunes for Windows and it looks good. If you’re going to do the download thing, Apple has done it right in my opinion. Plus they have added 200 indie rock labels (not sure which ones yet. Matador for sure), a huge contest with Pepsi, exclusive content, a partnership with that vampire of the Internet, AOL and a ton of other cool things you should check out. I just finished monitoring the launch event and they had everybody from Bono to Mick Jagger to Dr. Dre and Sarah Maclaughlin involved. Pretty impressive. And the best part is that iTunes is free. Very cool
Later.

The Rock and Roll Report: Your Home For Niche Free Rock and Roll!

Thursday, October 16th, 2003

I have been having a pleasant debate with Coolfer about the future (or potentially lack of) of something referred to as “roots rock” which is essentially defined as bands like the Strokes and White Stripes who borrow liberally from the past which could theoretically be anyone from the Rolling Stones and the Psychotic Reaction to the Stooges, MC5 and Television. I hate the description “roots rock.” I want my own description dammit! From here on in The Rock and Roll Report, the blog that refuses to categorize rock and roll, has invented its own category (tongue planted firmly in cheek). I will champion the cause of “Niche Free Rock and Roll.” What might this be you ask? Well niche free rock and roll is practiced by bands who help themselves to the musical past to come up with something new, as in “made today” not as in “wildly innovative and socially important.” Do these bands and performers borrow from a particular band or genre? No way baby! These bands and performers pillage from everything. Punk, Pop, Psychedelic, Mod, Blue Eyed Soul, Bubblegum, Blues, Acid Rock, Country Rock, Sunshine Pop, the list is endless. They warp it, they twist it, they slavishly copy it, they make it there own today. They record demos, play gigs wherever they can, record some more, post MP3s, collect records, rant and rave and basically fly their freak flag as high and for as long as they possibly can. They look back to the past while enthusiastically creating their own future. And sometimes they even use computers! Call them retro, call them copycats, call them old school, these cats just want to rock and roll your world. Help me find these people and remind them that they are acting so “unhip.” And stop smiling and tapping your feet! This is serious people, like music is suppose to be. Right? Ah, niche free rock and roll! How satisfying. Just like music should be. Now where did I put that record by Moby? Moby Grape that is.
Later.

Talkin’ Bout My Generation

Wednesday, October 15th, 2003

My friend Coolfer has posted a link to the article Pop’s Living Dead and a quick read brings out the same old tired “rock is dead” argument that I have to put up with these days. Rock died in 1979 the article proclaims so get over it. Dance, house, hip hop and techno, now this is the future of pop, something which it has decided requires “soul, funk or newness.” Now, my own biased observations are simply and humbly thus: (1) My experience with dance music is limited to a couple of headaches. My experience with rock and roll is extensive and usually results in a good time with (shock) other people that are quite often (gasp!) also young!. They dance, they scream, they have a good time. Ecstacy not required. (2) Just because it’s popular doesn’t mean that it’s good. Just ask Milli Vanilli or Vanilla Ice. (3) A failure to use computers and turntables does not equal musical progression. (4) If Rock is “dead” somebody better let The High Dials, Sloan, The Kings of Leon, The Strokes, BRMC, Brian Jonestown Massacre, Bomp Records, Orange Sky Records, Mimi La Twisteuse, Little Steven and a host of others know as they slave away at blasting out your ear drums with fine rock and roll guaranteed to please you, confuse you, excite you and delight you, no computers required. But you might have to yell over the volume of guitar amplifiers and farfisa organs to be heard ok! So rock and roll is not the new kid on the block. Who the hell cares! Do you remember when they were popular? The kids still dig it baby and you and I both know why. Let’s just keep it a secret between you and me ok. You too? Allright. Sorry bud I mean you as well. And how can I forget you. And you….And you…
Later.


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